Authors, Irish -- 19th century -- Biography; Wilde, Oscar, 1854-1900
One night he meets Hallward, who wants to talk to him about his mode of
life. The painter enumerates all the scandalous stories he has heard
about him; he ends up by expressing a doubt whether he really knows his
friend. To do so, he says, he should have to see his soul. "You shall
see it yourself to-night," Dorian exclaims, "it is your handiwork," and,
holding a lamp, he takes him up to the locked room, and removes the
drapery from the picture. An exclamation of horror breaks from the
painter as he perceives the hideous face on the canvas grinning at him.
It fills him with loathing and disgust, and he has difficulty in
believing it to be his own work. Dorian is seized with an uncontrollable
feeling of hatred for his friend, and, seizing a knife lying on a chest,
stabs him in the neck and kills him. After the murder he locks the door,
and goes quietly downstairs. He slips out into the street closing the
front door very gently, and rings the bell. When his valet opens it he
explains that he had left his latchkey indoors, and casually inquires
the time, which the man informs him is ten minutes past two.
The next day Dorian sends for a former friend of his, Alan Campbell,
whose hobby is chemistry, and after telling him of the murder, begs him
by some chemical process to destroy the body. Alan refuses to help him.
Dorian then writes something upon a piece of paper and gives it to the
other to read. Alan is terror-struck and consents to do what is required
of him, though reluctantly. When later, provided with the necessary
chemicals, they enter the locked room, Dorian perceives that the hands
of the picture are stained with blood.
He dines out that night, and when he returns home he provides himself
with some opium paste he keeps locked up in a secret drawer, and having
dressed himself in rough garments makes his way to the docks. He enters
an opium den, but the presence of a man who owes his downfall to him
irritates him, and he decides to go to another. A woman greets him with
the title "Prince Charming" (the name Sybil had given him), and on
hearing it a sailor gets up from his seat and follows him. In a dim
archway he feels himself seized by the throat and sees a revolver
pointed at his head. Briefly, his assailant tells him that he is Sybil's
brother, and that he means to avenge his sister's death. A sudden
inspiration comes to Dorian and he inquires of the man how long it is
since his sister died. "Eighteen years," is the answer, and Gray
triumphantly exclaims "Look at my face." He is dragged under a lamp, and
at sight of the youthful face Sybil's brother is convinced that he has
made a mistake. Hardly has Dorian gone, when the woman who had called
him Prince Charming comes up, and from her the sailor learns that in
eighteen years Dorian has not altered.
Public-domain text, read in full here on John Shaqi.
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