Wilde, Oscar, 1854-1900 -- Criticism and interpretation
The effect of the play is won by the cumulative weight of these short
contradictory sentences, that fall like continual drops of water on a
stone, never argue, are never loud enough to be quarrelsome, and
sometimes amuse themselves by reflecting, as if in a box of mirrors, a
single object in a hundred ways. The moon is translated into many moods.
For the page of Herodias she is a dead woman coming from the tomb to
look for dead men. Salome's lover sees her as a little dancing princess,
with yellow veil and silver feet. For Salome she is a little piece of
money, cold, chaste, a virgin. The page of Herodias sees her again as a
dead woman, covering herself with a winding-sheet, and when the young
Syrian dies, laments that, knowing she was seeking a dead man, he had
not hidden his friend in a cavern where she could not see him. Herod
finds her an hysterical woman seeking lovers everywhere, naked, and
refusing to be veiled by the clouds. Herodias finds that the moon
resembles the moon, and that is all. Then in the eyes of Herod she
becomes red in accordance with the prophecy, and Herodias replies,
jeering, "And the Kings of the Earth have fear." And finally, when
Salome is speaking to the head, when all is over but her death, Herod
cries aloud that the moon should be put out with the torches and the
stars, because he begins to be afraid.
The drama, reflected in these images of the moon that show the changing
colours of the minds that look at her, is thrown inward, and must be
read between the lines. Rather than describe the strength of an emotion,
or show it in immediate action, Wilde shows what it compels its
possessor to disregard. Salome answers the question of the young Syrian
with irrelevant remarks, because she is obsessed by the mole's eyes of
her stepfather. When Iokanaan speaks, and the young Syrian suggests that
she should go into the garden in her litter, she replies simply, "Il dit
des choses monstrueuses a propos de ma mere, n'est-ce pas?" When he
kills himself, on account of her words to the prophet, and falls before
her feet, she does not see him. The page laments, and a soldier tells
her of what has happened before her eyes:--
"_Le premier soldat._ Princesse, le jeune capitaine vient de se
tuer.
_Salome._ Laisse-moi baiser ta bouche, Iokanaan."
Public-domain text, read in full here on John Shaqi.
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