Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"
Philosophy
Oscar Wilde, Art and Morality: A Defence of "The Picture of Dorian Gray"
Wilde, Oscar, 1854-1900. Picture of Dorian Gray
Then, I take it that no matter how immoral a book may be, if it is well
written it is, in your opinion, a good book?--Yes; if it were well
written so as to produce a sense of beauty which is the highest sense of
which a human being can be capable. If it were badly written it would
produce a sense of disgust.
Then a well-written book putting forward perverted moral views may be a
good book?--No work of art ever puts forward views. Views belong to
people who are not artists.
A novel of "a certain kind" might be a good book?--I do not know what
you mean by "a novel of a certain kind."
Then I will suggest "Dorian Gray" as open to the interpretation of being
a novel of that kind.--That could only be to brutes and illiterates.
An illiterate person reading "Dorian Gray" might consider it such a
novel?--The views of illiterates on art are unaccountable. I am
concerned only with my view of art. I do not care twopence what other
people think of it.
The majority of persons would come under your definition of Philistines
and illiterates?--I have found wonderful exceptions.
Do you think the majority of people live up to the position you are
giving us?--I am afraid they are not cultivated enough.
Not cultivated enough to draw the distinction between a good book and a
bad book?--Certainly not.
The affection and love of the artist of "Dorian Gray" might lead an
ordinary individual to believe that it might have a certain tendency?--I
have no knowledge of the views of ordinary individuals.
You did not prevent the ordinary individual from buying your book?--I
have never discouraged him.
Mr. Carson then read an extract extending to several pages from "Dorian
Gray," using the version as it appeared in _Lippincott's Magazine_[34],
describing the meeting of Dorian Gray and the painter Basil Hallward.
"Now, I ask you, Mr. Wilde," added Counsel, "do you consider that that
description of the feeling of one man towards another, a youth just
grown up, was a proper or an improper feeling?"--"I think," replied the
author, "it is the most perfect description of what an artist would feel
on meeting a beautiful personality which was in some way necessary to
his art and life."
Counsel: You think that is a feeling a young man should have towards
another?
Witness: Yes, as an artist.
Mr. Carson proceeded to read another long extract. Mr. Wilde asked for a
copy, and was given one of the complete edition. Mr. Carson in calling
his attention to the place, remarked, "I believe it was left out in the
purged edition?"
Witness: I do not call it purged.
Counsel: Yes, I know that; but we will see.
Mr. Carson then read a lengthy passage from "Dorian Gray" as originally
published[35], and said, "Do you mean to say that that passage describes
the natural feeling of one man towards another?"--"It would be the
influence produced on an artist by a beautiful personality," was the
reply.
Counsel: A beautiful person?
Public-domain text, read in full here on John Shaqi.
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