For the first time in my life I began to realise that nine critics out of ten are incapable of judging original work. They seem to live in a sort of fog, waiting for someone to give them the lead, and accordingly they love to discuss every new play right and left. "I have not seen the whole play," I answered. "I was not at any of the rehearsals; but so far it is surely the best comedy in English, the most brilliant: isn't it?" The big man started back and stared at me; then burst out laughing. "That's good," he cried with a loud unmirthful guffaw. "'Lady Windermere's Fan' better than any comedy of Shakespeare! Ha! ha! ha! 'more brilliant!' ho! ho!" "Yes," I persisted, angered by his disdain, "wittier, and more humorous than 'As You Like It,' or 'Much Ado.' Strange to say, too, it is on a higher intellectual level. I can only compare it to the best of Congreve, and I think it's better." With a grunt of disapproval or rage the great man of the daily press turned away to exchange bleatings with one of his "confreres". The audience was a picked audience of the best heads in London, far superior in brains therefore to the average journalist, and their judgment was that it was a most brilliant and interesting play. Though the humour was often prepared, the construction showed a rare mastery of stage-effect. Oscar Wilde had at length come into his kingdom. At the end the author was called for, and Oscar appeared before the curtain. The house rose at him and cheered and cheered again. He was smiling, with a cigarette between his fingers, wholly master of himself and his audience. "I am so glad, ladies and gentlemen, that you like my play. (confer Appendix: "Criticisms by Robert Ross.") I feel sure you estimate the merits of it almost as highly as I do myself." The house rocked with laughter. The play and its humour were a seven days' wonder in London. People talked of nothing but "Lady Windermere's Fan." The witty words in it ran from lip to lip like a tidbit of scandal. Some clever Jewesses and, strange to say, one Scotchman were the loudest in applause. Mr. Archer, the well-known critic of "The World", was the first and only journalist to perceive that the play was a classic by virtue of "genuine dramatic qualities." Mrs. Leverson turned the humorous sayings into current social coin in "Punch", of all places in the world, and from a favourite Oscar Wilde rapidly became the idol of smart London.