Sara Davenal was stunned: stunned with the weight of the calamity,
with the grief it brought. And yet it probably fell upon her with less
startling intensity than it would have done had she been in the full
suntide of prosperity. She had been recently living in nothing but
sorrow. The grief and terror brought to her by that night's unhappy
secret (which you now know was connected with her brother), had been
succeeded by the withdrawal of the friendship--to call it by a light
name--of Oswald Cray. She had believed that the world could bring no
other calamity that could add to her misery: she had not thought of
that most grievous one--a father's death.
In all pain there must be a reaction: the very violence of the first
grief induces it; and it came sooner to Sara Davenal than it does to
most sufferers. Or, it may be, that the grave, the _real_ nature of
the grief brought its own effects. Had it been simple mourning alone,
the natural sorrow for the loss of a good and loving father, she might
have gone on weeping for months: but there was behind it that heritage
of terror on her brother's account, there was the consciousness that
with her the heavy secret was left, and the completion of its
purchase. The blinding tears ceased, the lively grief settled down
into one long, inward, dull agony; and ere many days went over, she
had become, in manner, almost unnaturally cold and calm. "How well his
daughter bears it," the town said, when it had an opportunity of
seeing her. In her subdued manner, her still face, her low measured
tones which never trembled, they read only serene resignation. Ah! how
few of us think to remember in everyday life that it is the silent
grief that does its work within.
Public-domain text, read in full here on John Shaqi.
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