She sat on, after the departure of the breakfast things, leaning back
in an easy chair and turning carelessly the leaves of a new novel,
those that would open, for she did not exert herself to cut them. A
very listless mood was she in that morning, tired and out of sorts. By
and by her maid came in to ask about some alteration that was to be
made in a dress, and Caroline told her to bring the dress to her.
That a little aroused her. It was a beautiful evening dress of
flowered silk, and she stood over the table where the maid laid it
consulting with her about some change in the colour of the trimmings.
Becoming absorbed in this, she scarcely noticed that some one had come
into the hall and opened the door of the room. Some expression in the
maid's countenance as she looked up caught her attention, and she
turned quickly round.
Mark was there, glancing into the room. Mark with a white aspect and a
scared dreamy look on his face. Before Caroline had time to question,
in fact almost before she looked, he was gone and had closed the door
again. So quiet had been the movement, so transient the vision, that
Caroline spoke in her surprise.
"Was not that your master?"
"Yes, ma'am. Something was the matter, I think. He looked ill."
"I will go and see. Mind, Long, I'll decide upon pink. It is the
prettiest colour."
"Very well, ma'am. As you please, of course. I only think pink won't
go so well with the dress as violet."
"I tell you, Long, that violet _will not_ light up. You know it won't,
without my having to reiterate it over to you. No colour lights up so
bad as violet. Pink: and let the ruchings be very full and handsome."
Speaking the last words in a peremptory tone, she went in search of
Mark. He was standing upright in the dining-room, in the midst of its
floor, looking more like a man lost than a man in his composed senses.
"Mark, what's the matter?"
He turned to his wife,--he had been undecided whether to tell her or
not. It was a question he debated with himself on his way down: that
is, it had been floating through his mind in a sort of undercurrent.
To concentrate his thoughts deliberately upon one point sufficiently
to debate it was that day beyond the power of Mark Cray.
Mark's true disposition was showing itself now. Vacillating and
unstable by nature, utterly deficient in that moral courage which
meets an evil when it comes, and looks it steadily in the face to see
how it may be best dealt with, the blow of the morning had taken away
what little sense Mark possessed. He was as a frightened child; a ship
without a rudder; he was utterly unable to distinguish what his proper
course ought to be: he did not know where to go or what to do; his
chief thought was, to get away from the torrent that had broken loose.
He must hide himself from the storm, but he could not face it.
Public-domain text, read in full here on John Shaqi.
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