Frontier and pioneer life -- West (U.S.) -- Fiction; West (U.S.) -- Social life and customs -- Fiction; Western stories
The men ate like hungry dogs. They gorged in silence. Nothing was heard
but the clank of knives on tin plates, the drop of heavy platters of
food, and the occasional muttered words of some one asking for the bread
or the gravy.
As they ate they furtively looked with great curiosity and admiration up
at the dainty woman. Their eyes were bright and large, and gleamed out
of the obscure brown of their dimly lighted faces with savage
intensity--so it seemed to Mrs. Field, and she dropped her eyes before
their glare.
Her husband and Ridgeley tried to enter into conversation with those
sitting near. Ridgeley seemed on good terms with them all, and ventured
a joke or word, at which they laughed with terrific energy, and fell as
suddenly silent again.
As Mrs. Field looked up the second time she saw the dark, strange face
of Williams a few places down, and opposite her. His eyes were fixed on
her husband's hands with a singular intensity. Her eyes followed his,
and the beauty of her husband's hands came to her again with new force.
They were perfectly shaped, supple, warm-colored, and strong. Their
color and deftness stood out in vivid contrast to the heavy, brown,
cracked, and calloused, paw-like hands of the workmen.
Why should Williams study her husband's hands? If he had looked at her
she would not have been surprised. The other men she could read. They
expressed either frank, simple admiration or furtive desire. But this
man looked at her husband, and his eyes fell often upon his own hands,
which trembled with fatigue. He handled his knife clumsily, and yet she
could see he, too, had a fine hand--a slender, powerful hand, like that
people call an artist hand--a craftsman-like hand.
He saw her looking at him, and he flashed one enigmatical glance into
her eyes, and rose to go out.
"How you getting on, Williams?" Ridgeley asked.
Williams resented his question. "Oh, I'm all right," he said, sullenly.
The meal was all over in an incredibly short time. One by one, two by
two, they rose heavily and lumbered out with one last, wistful look at
Mrs. Field. She will never know how seraphic she seemed sitting there
amid those rough surroundings--the dim, red light of the kerosene lamp
falling across her clear pallor, out of which her dark eyes shone with
liquid softness, made deeper and darker by her half-sorrowful tenderness
for these homeless fellows.
An hour later, as they were standing at the door, just ready to take to
their sleigh, they heard the scraping of a fiddle.
"Oh, some one is going to play!" Mrs. Field cried, with visions of the
rollicking good times she had heard so much about, and of which she had
seen nothing so far. "Can't I look in?"
Ridgeley was dubious. "I'll go and see," he said, and entered the door.
"Boys, Mrs. Field wants to look in a minute. Go on with your fiddling,
Sam--only I wanted to see that you weren't sitting around in dishabill."
This seemed a good joke, and they all howled and haw-hawed gleefully.
Public-domain text, read in full here on John Shaqi.
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