“We might easily, in this respect, give particulars which would
astonish many people; for we know all; but, at the risk of
seeming less well informed than some others of our morning
contemporaries, we will observe a silence which our readers will
surely appreciate. We do not wish to add, by a premature
indiscretion, any thing to the grief of a family already so
cruelly stricken; for M. Favoral leaves behind him in the deepest
sorrow a wife and two children,--a son of twenty-five, employed
in a railroad office, and a daughter of twenty, remarkably
handsome, who, a few months ago, came very near marrying M.
C. ----.
“Next--”
Tears of rage obscured Maxence’s sight whilst reading the last few
lines of this terrible article. To find himself thus held up to
public curiosity, though innocent, was more than he could bear.
And yet he was, perhaps, still more surprised than indignant. He
had just learned in that paper more than his father’s most intimate
friends knew, more than he knew himself. Where had it got its
information? And what could be these other details which the writer
pretended to know, but did not wish to publish as yet? Maxence felt
like running to the office of the paper, fancying that they could
tell him there exactly where and under what name M. Favoral led that
existence of pleasure and luxury, and who the woman was to whom the
article alluded.
But in the mean time he had reached his hotel,--the Hotel des
Folies. After a moment of hesitation,
“Bash!” he thought, “I have the whole day to call at the office of
the paper.”
And he started in the corridor of the hotel, a corridor that was so
long, so dark, and so narrow, that it gave an idea of the shaft of
a mine, and that it was prudent, before entering it, to make sure
that no one was coming in the opposite direction. It was from the
neighboring theatre, des Folies-Nouvelles (now the Theatre Dejazet),
that the hotel had taken its name.
It consists of the rear building of a large old house, and has no
frontage on the Boulevard, where nothing betrays its existence,
except a lantern hung over a low and narrow door, between a cafe
and a confectionery-shop. It is one of those hotels, as there are
a good many in Paris, somewhat mysterious and suspicious, ill-kept,
and whose profits remain a mystery for simple-minded folks. Who
occupy the apartments of the first and second story? No one knows.
Never have the most curious of the neighbors discovered the face
of a tenant. And yet they are occupied; for often, in the
afternoon, a curtain is drawn aside, and a shadow is seen to move.
In the evening, lights are noticed within; and sometimes the sound
of a cracked old piano is heard.
Public-domain text, read in full here on John Shaqi.
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