“All right!” replied the driver, whipping up his horses.
And much need he had, too, of whipping them; for the carriage that
carried off Mlle. Lucienne started at full trot down the Boulevards,
to the Madeleine, then along the Rue Royale, and through the Place
de la Concorde, to the Avenue des Champs-Elysees, where the horses
were brought down to a walk. It was the end of September, and one
of those lovely autumnal days which are a last smile of the blue
sky and the last caress of the sun.
There were races in the Bois de Boulogne; and the equipages were
five and six abreast on the avenue. The side-alleys were crowded
with idlers. Maxence, from the inside of his cab, never lost sight
of Mlle. Lucienne.
She was evidently creating a sensation. The men stopped to look
at her with gaping admiration: the women leaned out of their
carriages to see her better.
“Where can she be going?” Maxence wondered.
She was going to the Bois; and soon her carriage joined the
interminable line of equipages which were following the grand drive
at a walk. It became easier now to follow on foot. Maxence sent
off his cab to wait for him at a particular spot, and took the
pedestrians’ road, that follows the edge of the lakes. He had
not gone fifty steps, however, before he heard some one call him.
He turned around, and, within two lengths of his cane, saw M. Saint
Pavin and M. Costeclar. Maxence hardly knew M. Saint Pavin, whom
he had only seen two or three times in the Rue St. Gilles, and
execrated M. Costeclar. Still he advanced towards them.
Mlle. Lucienne’s carriage was now caught in the file; and he was
sure of joining it whenever he thought proper.
“It is a miracle to see you here, my dear Maxence!” exclaimed M.
Costeclar, loud enough to attract the attention of several persons.
To occupy the attention of others, anyhow and at any cost, was M.
Costeclar’s leading object in life. That was evident from the
style of his dress, the shape of his hat, the bright stripes of his
shirt, his ridiculous shirt-collar, his cuffs, his boots, his gloves,
his cane, every thing, in fact.
“If you see us on foot,” he added, “it is because we wanted to walk
a little. The doctor’s prescription, my dear. My carriage is
yonder, behind those trees. Do you recognize my dapple-grays?”
And he extended his cane in that direction, as if he were addressing
himself, not to Maxence alone, but to all those who were passing by.
“Very well, very well! everybody knows you have a carriage,”
interrupted M. Saint Pavin.
The editor of “The Financial Pilot” was the living contrast of his
companion. More slovenly still than M. Costeclar was careful of
his dress, he exhibited cynically a loose cravat rolled over a shirt
worn two or three days, a coat white with lint and plush, muddy
boots, though it had not rained for a week, and large red hands,
surprisingly filthy.
Public-domain text, read in full here on John Shaqi.
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