casts might be taken either for artistic purposes or the edification of heathens generally. WESLEY AND MOOR PARK METHODIST CHAPELS. These two places of worship must constitute one dose. They are in the same circuit, are looked after by the same ministers, and if we gave a separate description of each we should only be guilty of that unpleasant "iteration" which Shakspere names so forcibly in one of his plays. Wesley Chapel is the older of the two, and, therefore, must be first mentioned. It is situated in North-road, at the corner of Upper Walker-street, and we dare say that those who christened it thought they were doing a very hand-some thing--charming the building with a name, and graciously currying favour with the Wesley family. People have a particular liking for whoever or whatever may be called after them, and good old John may sometimes look down approvingly upon the place and tell Charles that he likes it. The chapel, which was built in 1838, enjoys the usual society of all pious buildings: it has two public houses and a beershop within thirty yards of its entrance, and they often seem to be doing a brisker business than it can drive, except during portions of the Sunday when they are shut up, and, consequently, have not a fair chance of competing with it. The chapel is square in form, has more brick than stone in its composition, and has a pretty respectable front, approached by steps, and duly guarded by iron railings. Neither inside nor outside the building is there anything architecturally fine. A decent mediocrity generally pervades it. The entrances are narrow, and there is often a good deal of pushing and patient squeezing at the neck of them. But nobody is ever hurt, and not much bad temper is manifested when even the collateral pew doors mix themselves up with the crowd, and prevent people from getting in or out too suddenly. The chapel, although simple in style, is clean, lofty, and light. A gallery of the horse shoe pattern runs round the greater portion of it. Thin iron pillars support the gallery and the "chancel" end, which is arched and recessed for orchestral accomodation, is flanked by fluted imitation columns.