Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in PrestonAtticus
History
Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in Preston
Atticus
Preston (Lancashire, England) -- Church history
The building possesses about the best acoustical properties of any
place of worship in Preston. The late Mr. Samuel Grimshaw, of
Preston, who, amongst many other things, had a special taste for
music, used to occupy it at times, with his band, for the purposes
of "practising." He liked it on account of its excellent sounding
qualities. Once, after some practice in it, Mr. Grimshaw offered a
"return"--said he would give the brethren a musical lift with his
band during some anniversary services to be held in the chapel. His
promise was accepted, and when the day came there was a complete
musical flood. The orchestra, including the singers, numbered about
50, and the melodious din they created was something tremendous.
"Sam" had the arrangement of it. There were tenors, baritones, bass
men, trebles, alto-singers, in the fullest feather; there were
trumpeters, tromboners, bassooners, ophicleideans, cornet-a-piston
players, and many others, all instrumentally armed to the very
teeth, and the sensation they made, fairly shook and unnerved the
more pious members of the congregation, who protested against the
chapel being turned into a "concert-hall," &c. The music after all,
was good, and if it were as excellent now there would be a better
attendance at the place. The present orchestra consists of perhaps a
dozen singers, including a central gentleman who is about the best
shouter we ever heard; and they are helped out of any difficulties
they may get into by a rather awkwardly-played harmonium.
Public-domain text, read in full here on John Shaqi.
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