Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in PrestonAtticus
History
Our Churches and Chapels: Their Parsons, Priests, & Congregations: Being a Critical and Historical Account of Every Place of Worship in Preston
Atticus
Preston (Lancashire, England) -- Church history
Thinking it good to harmonise with that ancient wisdom which
recommends people to carry the calf before beginning with the cow,
the new band of Congregationalists under notice, commenced
operations on the site named by erecting a large school room in
which for about a year they worshipped. In due time they got the
chapel built, and for about seven years it has been open.
Its position is prominent; but its associations, like those of the
generality of sacred edifices, has a special bearing upon the world
we live in. Above it there is a portion of the old vicarage
buildings, graced in front with various articles, the most prominent
being a string of delapidated red jackets; right facing it we have
the sable Smithsonian Institute, flanked with that gay and festive
lion which is for ever running and never stirring; below there are
classic establishments for rifle-shooting, likeness taking, and hot
pea revelling; and ahead there is the police station. The chapel
stands well, occupies high and commanding ground, and looks rather
stately. Its exterior design is good; and if the stone of its facade
had been of a better quality--had contained fewer flaws and been
more closely jointed--it would have merited one of our best
architectural bows. The chapel and school, and the land upon which
they are erected, cost 7,000 pounds, and about 1,000 pounds of that
sum remains to be paid. This is not bad. Considering the brevity of
their existence and the severe times they have had to pass through,
the Lancaster-road Congregationalists must have worked hard and put
a very vigorous Christian screw into operation to reduce their debt
so rapidly.
Public-domain text, read in full here on John Shaqi.
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