The evening closing in early was the dawn of the intellectual labours of the day. _The Saturday Magazine_ made frequent appearances, burgeoning like Aaron’s rod into miraculous blossom of prose and poetry: between-whiles Arthur composed voluntaries to be played on the organ in the chapel at prayers, Nellie studied the violin, Hugh produced a marionette theatre, and wrote a highly original play for it, called _The Sandy Desert; or, Where is the Archbishop?_ and Maggie made oil pictures of her family of Persian cats. Once at least during Christmas holidays we all jointly wrote a play: it was _The Spiritualist_ one year, in which there was a slashing exposure of mediums; another year we dramatized _The Rose and the Ring_ in operatic form with original lyrics set to popular tunes. With the exception of Nellie, our voices were singularly inefficient and completely untrained, which was part of the fun of it. To these plays the neighbourhood was invited, and all the servants and lodge-keepers formed a solid mass at the back. At one of them, Arthur for some reason, must be disguised as a young woman, six feet two high, with a yard or so of trousers showing below the skirt. This impersonation made a kitchen-maid laugh so hysterically, that the play had to pause while she was taken out by two housemaids, and her yells died away as she retreated down the back-stairs. Life in those holidays was an orgy, celebrated in an atmosphere of absolutely ceaseless argument and discussion. Every question rose to boiling-point: for while we regarded each other with strong and quite unsentimental affection we were violently critical of each other. We drew biting caricatures of my father going to sleep after tea, of my mother keenly observant above and not through her spectacles, of Hugh falling off Ajax, of any ludicrous and humorous posture. But above all it was writing that most enthralled us, and innumerable were the quires of sermon-paper that yielded up their fair white lives to our scribblings. These were now beginning to enter a more professional arena than the _Saturday Magazine_; Nellie, then at Lady Margaret’s Hall in Oxford, had, before she was twenty, published an article on Crabbe in _Temple Bar_; Arthur, a year or two older, had written his first book, _Arthur Hamilton_, in the form of an imaginary memoir, and Maggie and I were in the throes of a joint story, in which I can perceive the infancy of a novel called _Dodo_. This was abandoned before completion, but in a moraine of forgotten dustinesses, I came across some few pages of it the other day and really felt that there was some notion in it, some conscious attempt anyhow, to convey character by means of conversation rather than by analysis, an achievement in the direction of which, in spite of dispiriting results, I am still grubbing away. There certainly, in that heap of ancient manuscript fortuitously preserved, was the conscious striving after psychical dialogue, in which the interlocutors