and since they were proposing to “let the wretch go festering” through London, they read up Macaulay’s review of Mr. Robert Montgomery’s poems to see how it was done. If they had not noticed _Dodo_, they would at least notice her successor. Indeed the fairy godmother who presents a young author at his public christening with a boom, brings him a doubtful gift, for when next I challenged attention all these little Macaulays and Dantes uncorked their hot ink, and waited pen in hand till Mr. Methuen sent them their “advance copies.” Then, saying “one, two, three--go,” they all produced on the birth-morning of the unfortunate book columns and columns of the most blistering abuse that I remember ever beholding in God-fearing journals. This blasted infant was a small work called _The Rubicon_, now so completely forgotten that I must ask the reader to take my word for it that it was quite a poor book. It was not even very, very bad: it was just poor. Critics have hundreds of poor books submitted to their commiserated notice, and they are quite accustomed to that, and tell the public in short paragraphs that the work in question is “decidedly powerful,” or “intensely interesting” or “utterly futile,” and there is an end of it as far as they are concerned. Had this blasted infant been a first book it would naturally have received no more than a few rude little notices, and perhaps a few polite little notices. But as it was the successor to the abhorred comet it was concertedly singled out for the wrath of the Olympians, The _candidatus exercitus_ of the entire Press went forth with howitzers and Maxims (in both senses), with cannons of all calibres, with rifles and spears and arrows and sharp tongues to annihilate this poor little May-fly. That I am not exaggerating the stupendous character of this fusillade can be shown from a few extracts. In those days I used to take in Press-cuttings, and among a heap of more precious relics in a forgotten box I came across the other day a packet of these, which contained such flowers as I could not leave to blush unseen, and I picked and here present a little nosegay of them. (1) The _Pall Mall Gazette_. (_The Rubicon_, E. F. Benson.) “MR. BENSON’S NEW PLAY. _Dramatis Personæ._ Exhumée Dodo. Lord Anæmia. Donjuans (_sic_). Madonna de Clapham. Jelly Fish. Vulgarities. Indecencies. _Time_, The Middle Classes. _Place_, Le Pays Inconnu. _Mise en scène_, Fluff.” Then follows a short analysis, not so fragrantly precious, and then comes comment.