Our Family Affairs, 1867-1896Benson, E. F. (Edward Frederic)
General
Our Family Affairs, 1867-1896
Benson, E. F. (Edward Frederic)
Benson family
By one of Nature’s most admirable devices our memories always retain a
keener sense of such experiences as have been enjoyable, than those of
the drabber sort, and to-day I find nothing that I can pick out of the
bran-pie that was not bright and alluring. There were friendships and
hero-worships, the initiation, in a blue and black striped jersey, into
the muddy mysteries of Rugby football, and the dizzy heights (soaring
far above the sordid business of the foundation-scholarship) of playing
in the lower team of the house. There was a school concert at the end of
that first term, and it gave me a complacent thrill to remember that I
was a foundation-scholar when the “Carmen” was sung. But it gave me a
sense of stupefied astonishment to hear the organist, Mr. Bambridge,
play as an encore to his piano-solo, his own original variations on the
theme of “Auld Lang Syne.” Never (except in the case of Miss Wirtz) was
there such a finger, and speaking purely from the impression then made,
I should be obliged to confess that for matter of pure brilliance of
execution and mastery of technique, Mr. Bambridge must have been a far
more accomplished performer than any pianist whom I have heard since.
Why did he not take London by storm with those amazing pyrotechnics of
his own invention, and throne himself higher than ever Paderewski or
Carreno or Busoni soared? I cannot even now bring myself to believe that
any of those lesser lights ever shone like Mr. Bambridge, when with
flying fingers and any quantity of the loud pedal he swooped up and down
in pearly runs and tremendous octaves, while all the time that powerful
thumb of his, relentless and regular as the stroke of a piston, beat out
simultaneously (there was the wonder of it) the original air. I wanted
the piano to comprise an extra octave or two that so he might have a
larger arena for his melodious magic. I wanted to have more ears, so
that they should all be glutted with the beautiful banging and netted in
the gossamer of Mr. Bambridge’s chromatic scales. Even Bach--but it is
always idle to make comparisons between the supreme: who judges between
the various peaks that face the dawn, or cares to plumb the sea, so long
as the sun glitters on its surface, and in the shadow of the rock there
glows the translucent blue of Tyre?...
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