For a year I sat solid and unmovable in the form in which I had been placed when I came to Marlborough, and was then hoisted into the lower fifth, and began a rather swifter climbing of the scholastic ladder, because I came for the first time under a master who woke in me an intellectual interest in Greek and Latin. This was A. H. Beesly, who was by far the most gifted teacher I ever came under either at school or at the University. Not for me alone but for his whole form he made waters break out in the wilderness, and irrigated the sad story of Hecuba with the springs of human emotion. He had translated it himself into English blank verse, with a prologue that told how some Athenian slave, carried off to Rome to serve in the household, read to fellow-captives this song of Zion in his captivity. What the intrinsic merits of the translation were, I can form no idea, but of the effect of it on his form, as read by the author, I cherish the liveliest memory. For three or four Hecuba lessons we would get no reading, and then Beesly would turn round to the fire when we had stumbled through another thirty lines, and say, “Well now, you boys don’t know what a fine thing it is. Let’s see what we can make of your last few lessons. I’ll read you a translation: follow it in your Greek. We’ll begin at line 130.” Then he would read this sumptuous jewelled paraphrase, which rendered in English blank verse the sense of the passages we had droned and plodded through, and gave them the dramatic significance which we all had missed when we took the original in compulsory doses of Greek. For a long time we never knew who was the author of this English version, and then one day Beesly brought into form a whole bale of copies, printed in sheets, unfolded and uncut, and gave one to each of us. There was the name on the title page, as translated by A. H. B., with the heading, “The Trojan Queen’s Revenge.” Never in bookshop or in second-hand bookstall have I seen a copy of that work, and I rejoice in that for perhaps I might be disillusioned as to its merits, if I had seen it subsequently. Certainly “The Trojan Queen’s Revenge” was printed, but I suspect (and bury the suspicion) that it fell stillborn from the press, and that the author bought up the unbound copies. As it is, it has for me the significance of some equerry who introduced me to the presence of royal Greece, making the Greeks from that day forth the supreme interpreters of humanity. Under the influence of “The Trojan Queen’s Revenge” I passed through the portals into the very throne-room of that House of Art, so that to this day I must secretly always employ a certain Greek standard to whatever the world holds of beauty. Greek gems, Greek statues, became for me the gold standard, compared to which all else, though noble, must be of baser stuff. There were to be many idle terms yet before I cared one atom about the Greek language intrinsically: as far as the literature went I