The evening passed. Lady Amys gave the signal of retirement; May and Constance followed; the baronet and the peer chatted for yet a few minutes with their hostess, then bade her good-night. But, just as he was leaving the room, Dymchurch heard Lady Ogram call his name; he stepped back towards her. "I forgot to tell you," she said, "that Mr. Lashmar will lunch with us the day after to-morrow. Of course he is very busy at Hollingford." "I shall be glad to see him," replied the other, cordially. "I wish I could help him in any way." Lady Ogram resumed her seat. She was looking at the marble bust, and Dymchurch, following the direction of her eyes, also regarded it. "Until this morning," she said, "I hadn't seen that for more than fifty years. I would tell you why--but I should only send you to sleep." Her guest begged to hear the story, and sat down to listen. Though the day had been so unusually long and fatiguing, Lady Ogram seemed to feel no effect of it; her eyes were still lustrous she held herself with as much dignity as when the guests arrived. She began a narrative of such clearness and vigour that the listener never thought of doubting its truth; yet the story of her youth as the lady of Rivenoak wished Lord Dymchurch to receive it differed in very important points from that which her memory preserved. Not solely, nor indeed chiefly, on her own account did Arabella thus falsify the past; it was as the ancestress of May Tomalin that she spoke, and on behalf of May's possible children. Dymchurch, looking back into years long before he was born, saw a beautiful maiden of humble birth loyally wooed and wedded by a romantic artist, son of a proud baronet. Of course she became the butt of calumny, which found its chief support in the fact that the young artist had sculptured her portrait, and indiscreetly shown it to friends, before their marriage. Hearing these slanderous rumours, she wished all the work which represented her to be destroyed, and her husband led her to believe that this was done; but on succeeding to the title, and coming to live at Rivenoak, Sir Quentin confessed that he had not been able to destroy that marble bust which was his joy and his pride; he undertook, however, to keep it hidden under lock and key, and only this day, this very day, had it come forth again into the light. "I am an old, old woman," she said, not without genuine pathos in her utterance. "I have long outlived the few who were my enemies and spoke ill of me, as well as those who knew the truth and held me in respect. I fear no one. I wanted to see how I looked when I was a girl, and I confess I am glad for others to see it, too." Dymchurch murmured that nothing could be more natural. "I was almost as good-looking as May, don't you think?" she asked, with a not very successful affectation of diffidence. "There is a likeness," answered Dymchurch. "But--" She interrupted his effort to describe the points of difference.