St. Paul's I must and did visit. The most striking addition since I was there is the massive monument to the Duke of Wellington. The great temple looked rather bare and unsympathetic. Poor Dr. Johnson, sitting in semi-nude exposure, looked to me as unhappy as our own half-naked Washington at the national capital. The Judas of Matthew Arnold's poem would have cast his cloak over those marble shoulders, if he had found himself in St. Paul's, and have earned another respite. We brought away little, I fear, except the grand effect of the dome as we looked up at it. It gives us a greater idea of height than the sky itself, which we have become used to looking upon. A second visit to the National Gallery was made in company with A----. It was the repetition of an attempt at a draught from the Cup of Tantalus. I was glad of a sight of the Botticellis, of which I had heard so much, and others of the more recently acquired paintings of the great masters; of a sweeping glance at the Turners; of a look at the well-remembered Hogarths and the memorable portraits by Sir Joshua. I carried away a confused mass of impressions, much as the soldiers that sack a city go off with all the precious things they can snatch up, huddled into clothes-bags and pillow-cases. I am reminded, too, of Mr. Galton's composite portraits; a thousand glimpses, as one passes through the long halls lined with paintings, all blending in one not unpleasing general effect, out of which emerges from time to time some single distinct image. In the same way we passed through the exhibition of paintings at the Royal Academy. I noticed that A---- paid special attention to the portraits of young ladies by John Sargent and by Collier, while I was more particularly struck with the startling portrait of an ancient personage in a full suit of wrinkles, such as Rembrandt used to bring out with wonderful effect. Hunting in couples is curious and instructive; the scent for this or that kind of game is sure to be very different in the two individuals.