British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
On the very day following that of his arrival, the pendulum of Ned’s
particular destiny began its driving swing. He had taken good lodgings
in a house in the Rue St Honoré, less, perhaps, as a concession to
his rank than to his hypothetical prospects; and, issuing thence,
after he had breakfasted, he had but a hundred yards to walk to reach
a certain revolutionary centre that was become the goal to his
long-drawn hopes and apprehensions.
It was a morning in early August, breathless and burning; and he
turned into the gardens of the Palais Royal, that he might thus
combine the opportunities to slake his thirst and to acquit himself of
his commission to the royal proprietor of the adjoining palace. He had
seated himself--unaccountably loath, now the moment was arrived, to
put his fears to the proof--at a little café table under a tree, and
was dreamily marvelling over the changed aspect of this _plaisance_ of
sedition (how in three years the temper of its _habitués_ seemed to
have altered, as it were, from that of a beleaguered to that of a
triumphant garrison), when the familiar personality of one of three
men who, talking together, strolled towards him, caught his immediate
attention. Ugly, austere, with his Rowlandson paunch and unaffected
neat clothes; with his wry jaw and crippled scuffle of speech--Ned saw
here the unmistakable presentment of his whilom friend, the king’s
painter. Between M. David and another--a tall, plebeian-dressed man,
with a flawed, supercilious face, the blotched darkness of which
(something caricaturing that of the monarch’s own) belied the
mechanical amiability of its features--walked an individual of a very
benignant and serene expression of countenance, the nobility of which
showed in agreeable contrast with the moodiness of its neighbours’.
This man--by many years the youngest of the three--was of the middle
height, with dark sleepy eyes and chestnut hair. His face, slightly
marked by the small-pox, was of a rather sensuous, rather wistful
expression--at once pitiful and determined, with Love the modeller’s
finger-marks about the mouth and, between the brows, the little long
scar cut by thought. He was dressed in a very shabby and slovenly
fashion, with limp tattered wristbands, and the seams of his coat
burst at the shoulders; and even the lapels of his vest were
dog’s-eared--altogether a display of poverty a little ostentatious,
thought Ned (who, nevertheless, had reason by-and-by to correct his
judgment). Yet, for all his appearance, here was the man of the three
to whom the others, it seemed, paid deference; for they hung upon his
words, their eyes bent to the ground, while he walked between them,
frankly expounding and with a free aspect.
Now suddenly M. David glanced up and caught the Englishman’s gaze; and
immediately, to Ned’s surprise (he had a vivid memory of their last
rencontre), detached himself from his fellows and came forward with
extended hand.
Public-domain text, read in full here on John Shaqi.
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