British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
He had reached at last--so his whirling brain interpreted it--the very
congress of all the spectres that had haunted him of late. The silent
dull air was thick with silent threads--busy stitches in a shroud
whose hem was the enceinte of the city. Here a silent white pack stood
looking up at a white yoke. There was no terror in all the scene, save
where, on the platform itself, the boots of the executioners slipped
in a red thaw.
Then, in a moment, he was aware of her. She rose from the cloud of
white shapes--herself a statue of whiteness--pure at last--and other
white shapes stooped and lifted her.
He burst through the intervening whiteness--tore his way into the
shroud.
“Nicette!” he screamed.
She struggled free for an instant--turned, looked down, and saw him.
Through the rain of flakes the rapture of a deathless passion was
revealed to him.
The next moment she was fallen prostrate. A whirring silvery wing
swooped upon her. She seemed to break in half, like a woman of snow.
THE END.
TRANSCRIBER’S NOTES.
The 1899 Dodd, Mead & Co. edition was consulted for many of the
following corrections.
Alterations to the text:
Add TOC.
A few punctuation corrections: missing commas/periods, quotation mark
pairing, etc.
Note: minor spelling and hyphenization inconsistencies (_e.g._
unnamable/unnameable, seaport/sea-port, meadow-path/meadow path, etc.)
have been preserved.
[Book I/Chapter XIII]
Change “his innate _migivings_ must once more gather” to _misgivings_.
[Book I/Chapter XX]
“and accepted his to her _carrriage_” to _carriage_.
[Book II/Chapter II]
“I sink, Was there evaire the time when” change comma to period.
“this same wife lay _adying_” to _a-dying_.
[Book II/Chapter XV]
“committed himself to the _hoplessness_ of slumber” to _hopelessness_.
[Book II/Chapter XVI]
“turned upon her in _uttter_ desperation” to _utter_.
“Oh, _monsier_, monsieur! if I could learn it” to _monsieur_.
[End of Text]
Public-domain text, read in full here on John Shaqi.
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