British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
For thence, often watching, speculative, he would see the
scene-shifters of the early Revolution--come out in front of the high,
mute screen of the prison, that closed his vista eastwards as if it
were a stage-curtain--busy as bees on the alighting-board of a hive.
Thence he would mark, in real ignorance of the plot of the forthcoming
piece, or cycle of pieces, the motley companies gathering for
rehearsal--the barn-stormers; the heavy “leads;” the slighted
tragedians foreseeing their opportunity for the fiftieth time; the
inflated supers canvassing the favour of phantom houses with imagined
gems of inspiration, with new lamps for old in the shape of
misenlightened renderings of traditional _rôles_; he would mark the
gas, so to speak, the artificial light that informed the garish scene
with spurious vitality. But the prompter he could never as yet find in
his place, nor could he gather the true import of the play to which,
it must be presumed, all this pretentious gallimaufry was a prelude.
Theorists, agitators, pamphleteers--the open, clamorous expression of
that that had been suggested only to him during his hitherto
wanderings--all these and all this were present to his eyes and his
ears, passionlessly alert at their vantage-point on the second floor
of the corner house in the Rue Beautreillis. Daily he sought to piece,
from the struttings and the disconnected vapourings, the puzzle of
present circumstance, the political significance of so much apparently
aimless rhetoric. Daily he listened for the prompter’s bell; daily
looked for the appearance of the confident author who should
discipline all this swagger and rhodomontade.
Then, by-and-by, the fancy did so master him as that he would see a
veritable curtain, rounding into slumberous folds, in this silent west
wall of the Bastille; a curtain--with sky-arched convent buildings for
proscenium--whose every sombre crease he seemed to watch with a
curious moved expectancy of the unnameable that should be revealed in
its lifting. For so an impression deepened in him unaccountably that
beyond that voiceless veil was shaping itself the real drama, of which
this outer ranting was but as the wind that precedes an avalanche;
that suddenly, and all in a moment, the screen would be rent, like a
sullen cloud by lightning, and the import of an ominous foregathering
find expression in some withering organisation to which the surface
turmoil had been but a blind. He thought himself prophetic--_en
rapport_ with the imps of a national destiny; but nevertheless the
curtain delayed to rise while he waited, though it was to go up
presently to a roar that shook the world.
Public-domain text, read in full here on John Shaqi.
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