British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
For M. David would cry to him, “In a Republic of Truth every unit must
be content to contribute itself unaffectedly to the full design.” Yet
(as Ned came to know) was no man more greedy than this Academician for
vulgar notoriety--none more sensitive to criticism or more resentful
of a personal slight. So he (M. David) would preach, not plausibly but
whole-mindedly, a religion of purity and cleanliness--a religion of
beauty, material and intellectual, whose very ritual should be
Gregorian in its sweet austerity. Such were his professions; and
nevertheless in the height of his revolutionary popularity he did not
scruple to introduce into his pictures details that pandered to the
most sordid lusts for the grotesque and the horrible--to generally,
indeed, stultify his own declarations of belief by acts that no ethics
but those of brutality could justify. Finally, it was in the disgust
engendered of a flagrant illustration of such inconsistency that the
young Englishman, after some months of gradual disenchantment, “cut”
the king’s painter; fled, for solace of a haunting experience,
eastwards again, and, snuffing with some new emotion of relish the
frankincense of green woods, hugged himself over a thought of his
seasonable escape from that national sphinx of caprice, to symbolise
whom in a word one must draw upon modern times for the “cussedness” of
Wall Street.
Yet even then, had he but foreseen it, he was backing, while dodging
Scylla, into the very deadly attraction of Charybdis.
In the meanwhile autumn stole footsore, like a loveless wife, in the
track of summer. She was swart and powdered, not _à la mode de
Versailles_; drouthy too, yet with a cry to shrill piercingly in every
street of every town of France.
The dust of her going rose and penetrated through chinks and doorways.
It overlay the pavements so thickly that one might have thought it the
accumulation of that that age-long ministers had thrown in the eyes of
the people, the very precipitate of tyranny. It clung, hot and acrid,
to the walls of all living palaces, of all princely monuments to the
dead, as if it were the expression of that proletariat censorship that
would obliterate the very records of a hateful past. It was the
condensed breath of destruction settling in a stringent dew, and it
might have been exhaled from the ten thousand brassy throats that made
clamour in the highways ten thousandfold great because they were the
resonant throats of starved and empty vessels.
For the elections were on; and what if bread were dearer than money if
his chosen representative was in every man’s mouth? So, through broil
and famine the city of Paris echoed to its blazing roofs with jangle
jubilant and acclamatory, inasmuch as the no-property qualification
gave every honest man a chance of being governed by a rogue. And what
prospect in a nation of contrarieties could be more humorously
enticing?
Public-domain text, read in full here on John Shaqi.
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