British -- France -- Fiction; France -- History -- Revolution, 1789-1799 -- Fiction; Historical fiction
Mr Murk was suffering from a _toujours perdrix_ of politics. He
needed, he felt, a prolonged constitutional, both to clear his brain
of a certain blood-web that confused its vision, and to enable him to
sort, in fair communion with the Republic of Nature, his own somewhat
scattered theories of government. He was really unnerved, indeed, by
what he had seen and experienced, and the prospect of quiet woods and
pastures was become dear to his soul. He would return to Méricourt,
as he had promised himself he would do, in the sweet spring
weather--to Méricourt, where the play of Machiavelism was but a
pastoral comedy after all. He would return to Méricourt and paint
into the unfinished eyes of his Madonna the fathomless living sorrow
of doubt--the Son being dead--as to their own divinity.
Of the two hundred miles to traverse he walked the greater
number--sometimes in leisurely, sometimes in hurried fashion, as the
chasing dogs of memory slept or tracked him. But, tramp as he would,
he could not regain that elasticity of heart that once so communicated
itself to the “spirit in his feet.” He had gone to Paris blithe and
curious; he was returning, as the idiom expresses it, with a foot of
nose. In eight months the spouting grass seemed to have lost its
spring. May, with all its voices, could not charm him from foul
recollections; the gloom of slumbering forests was full of murder. Now
for the first time he realised how the great peace he often paused to
wistfully look upon was Nature’s, not his; how, flatter his soul as he
might with a pretence of its partnership in all the noble restfulness
that encompassed it, it stood really an alien, isolated--a suffering,
self-conscious inessential, having no kinship with this material sweet
tranquillity--separated from it, in fact, by just the traverseless
width of that very conscious _ego_. He felt like Satan alighted for
the first time in view of Eden, only to recognise by what plumbless
moat of knowledge he was excluded from its silent lawns and orchards.
This feeling came to him in his worst moods. In his best, he could
take artistic joy of those effects of cloud and country that called
for no elaborate detail in the delineating--that were distant only
proportionately less than the distant unrealities of the stars in the
sky. For the impression of outlawry in a world that was only man’s by
conquest was bitten into his soul for all time; and never again, since
that night spent in the shambles of St Antoine, should he recover and
indulge that ancient sense of irresponsibility towards his share in
the conduct of man’s usurped estate.
“We are,” he thought, “squatters disputing with one another the
possession of land to which we have each and all no title.”
Public-domain text, read in full here on John Shaqi.
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