Our Mr. Wrenn: The Romantic Adventures of a Gentle ManLewis, Sinclair
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Our Mr. Wrenn: The Romantic Adventures of a Gentle Man
Lewis, Sinclair
Courtship -- Fiction; Love stories; Man-woman relationships -- Fiction; Middle-aged men -- United States -- Fiction
The ghost of Morton, dead and forgotten, was with him all next day,
till he got home and unbelievably found on the staid black-walnut Zapp
hat-rack a letter from Paris, in a gray foreign-appearing envelope with
Istra’s intensely black scrawl on it.
He put off the luxury of opening the letter till after the rites of
brushing his teeth, putting on his slippers, pounding his rocking-chair
cushion into softness. Panting with the joy to come, he stared out of
the window at a giant and glorious figure of Istra—the laughing Istra
of breakfast camp-fire—which towered from the street below. He sighed
joyously and read:
Mouse dear, just a word to let you know I haven’t forgotten you and am
very glad indeed to get your letters. Not much to write about.
Frightfully busy with work and fool parties. You _are_ a dear good soul
and I hope you’ll keep on writing me. In haste, I. N.
Longer letter next time.
He came to the end so soon. Istra was gone again.
CHAPTER XIV
HE ENTERS SOCIETY
England, in all its Istra-ness, scarce gave Mr. Wrenn a better thrill
for his collection than the thrill he received on the November evening
when he saw the white doorway of Mrs. R. T. Ferrard, in a decorous row
of houses on Thirtieth Street near Lexington Avenue.
It is a block where the citizens have civic pride. A newspaper has not
the least chance of lying about on the asphalt—some householder with a
frequently barbered mustache will indignantly pounce upon it inside of
an hour. No awe. is caused by the sight of vestibules floored with
marble in alternate black and white tiles, scrubbed not by landladies,
but by maids. There are dotted Swiss curtains at the basement windows
and Irish point curtains on the first floors. There are two polished
brass doorplates in a stretch of less than eight houses. Distinctly, it
is not a quarter where children fill the street with shouting and
little sticks.
Occasionally a taxicab drives up to some door without a crowd of small
boys gathering; and young men in evening clothes are not infrequently
seen to take out young ladies wearing tight-fitting gowns of black, and
light scarfs over their heads. A Middle Western college fraternity has
a club-house in the block, and four of the houses are private—one of
them belonging to a police inspector and one to a school principal who
wears spats.
It is a block that is satisfied with itself; as different from the Zapp
district, where landladies in gingham run out to squabble with
berry-venders, as the Zapp district is from the Ghetto.
Mrs. Arty Ferrard’s house is a poor relation to most of the residences
there. The black areaway rail is broken, and the basement-door grill is
rusty. But at the windows are red-and-white-figured chintz curtains,
with a $2.98 bisque figurine of an unclothed lady between them; the
door is of spotless white, with a bell-pull of polished brass.
Public-domain text, read in full here on John Shaqi.
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