Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.Cohen, David Solis
History
Our Show: A Humorous Account of the International Exposition in Honor of the Centennial Anniversary of American Independence, from Inception to Completion, Including Description of Buildings, Biographies of Managers, Receptions of Foreign Dignitaries, Opening Ceremonies, Poem, Oration, Amusing Survey of All Departments, Incidents, Etc., Etc.
“In the midst of death we are in life,” said we originally,--“oh death,
sweet death, in the midst of all this life are we reminded of thee;--in
the excitement and the turmoil thy quietness is here. Lo, the labor of
man’s hand and the production of man’s mind we find about us,--we look,
we wonder, we admire, but what, what are these hands and minds to thee?
Nothing; nothing save the dust which in thy mill----” We were
interrupted by a gentleman who approached us and invited us to invest in
one of his patent coffins. He had any number of testimonials from
parties who had used them, stating that under no consideration would
they use any other. He said we might try one, and if we didn’t like it
we needn’t feel compelled to keep it. He seemed very anxious to discover
whether we had any sickly relatives. He took us through the undertaker’s
department; showed us shrouds, sombre trappings, gold and silver
trimmings, rosewood caskets, all the paraphernalia for a pleasant and
comfortable send off. He escorted us through the marble yard, mentioned
what kind of a tombstone he thought would best suit our condition,
quoted verses of poetry which he thought would make suitable
inscriptions, and was really so attentive and persistent that the truth
dawned upon us at last;--he was placed there to talk visitors to death
and brisken up business for the exhibitors.
HE EARNED HIS SALARY,
whatever it was. He explained the system of cremation, and told us if
we had any old aunts or grandmothers about the house to bring them down
and he would take pleasure in demonstrating its beauties practically. He
induced us to purchase three or four little coffins made from the wood
in Independence Hall, to be worn as watch charms;--“very sensible
mementos of the occasion,” said he.
It was by an almost superhuman effort that we broke from him at
last,--we barely saved our lives,--that is all--we walked off a few
yards and then--oh, intelligent reader, let us draw the veil!--we
ourselves were carried to the Hospital.
CHAPTER VIII.
“THE GLOW.” ... WHO HELPED AND WHO ENJOYED IT.
[Illustration]
We remained in the hospital three days. We did not die. Unfortunately
for the purchasers of this work and our friend of the model cemetery, we
_would_ not die in Spring time. We were discharged on account of the
crowded state of the institution. Visitors were beginning to discover
that free board might be obtained, by stratagem, at the hospital, and
the result was that a large proportion of our foreign guests found this
climate very unhealthy. The doctors were cutting, dosing, and
blistering, to their hearts’ content.
We re-entered the grounds with the intention of resuming our inspection
where we had discontinued it, but we were subjected to a severe nervous
shock the very morning of our reappearance.
[HOKEE POKEE WINKEE FUM.]
Public-domain text, read in full here on John Shaqi.
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