Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
Carlo's face, which had grown dreamy, suddenly became overspread with
gloom as he looked out upon the roof. He hesitated. And the precious
moments were passing. Paula must be on her former roof at that moment.
Any minute she might leave. Would Carlo go out for a look, or--He went
out. I followed. A high, inspiring wind was blowing. It hummed and cried
through the meshes of the cage on the roof below with the voice of a
thousand imperative and untranslatable messages. The girl in the cage
held her face toward it, yearning to its dim and pregnant music, and I
thought I had never seen a face so lovely, so lonely, so desolate. Then
I turned to Carlo and was glad to the root-nerves of my heart that I had
brought him.
That gladness lasted about one heartbeat and died a death of terror.
For, without a word, Carlo stepped upon the coping, lowered himself over
the grim well-space between the houses, then threw his body outward,
with a swift, powerful impulsion. He hurtled down the ten feet, which
might be fifty, and destruction, if his out-thrust were not forceful
enough. But he landed, one hundred and ninety-odd pounds of hard, lithe
manhood, on the edge of the roof, as light and firm as a cat. At the
sound she turned and saw him coming to her from behind the chimney, as
he had come in the days of her lonely childhood.
“Little Tiger,” he said very softly.
“Angel!” She tried bravely to laugh, but it was an uncertain, fluttering
sound. “Have you dropped from your cloud again?”
He came straight to the cage door and stood, looking at her with
his soul in his eyes, and she strove to meet his gaze, her own look
fluttering away before the sweet terror of full realization.
Carlo set his hand to the latch. Some unknown imbecile, solicitous for
the safety of the week's wash, had put some sort of an infernal patent
spring lock upon the door. It resisted. His hand fell.
“Will you open it to me?” he said quietly.
“I--I can't,” said the girl.
“Is it to be the old barrier, then?” he said passionately--“the barrier
that has always been set between us?”
She made no reply. But there came to her face a wonderful color, and to
her lips a wonderful smile.
“Paula,” said Carlo, “nothing can stand between us except your will.” He
raised both hands to the heavy meshes. “Shall I come?”
“Come!” she said.
Then that gate sprang from its hinges with a shriek of tortured metal,
the voice, as it might be, of all the generations of Varicks, raised
in frenzied, ineffectual protest. Oh, yes, I suppose the sockets _were_
rusted out and ready to give way; nevertheless, it was a startling and
thrilling thing to see. He tossed the door behind him, where it fell
with a harsh rattle. And Paula, uncaged at last, came to his heart with
a cry, and clung there.
Public-domain text, read in full here on John Shaqi.
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