Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
While I am, of course, a part of the Little Red Doctor's large practice,
I do not add much to his meager income. In fact, he usually laughs me
and my minor ailments out of court and declines to administer anything
but free advice. On the particular June evening when I unwittingly
became a partner of the fates, nothing really ailed me except that I had
not been sleeping for some nights and was tired of it. The Little Red
Doctor went over me briefly and prescribed.
“One full day in the open sunrise to sundown.”
“Where?”
He reflected. “Go crêpe-hunting with Dead-Men's-Shoes,” he said at
length.
Thus it was that from nine o'clock on, of a balmy, sweet-scented
morning, the sleek and raucous automobiles of West-Chester County hooted
disdainfully at Dadmun Schütz and myself, jogging appreciatively along
behind Schutz's mouse-hued mare, Dolly Gray, through a world so alien to
Our Square as to suggest another scheme of creation; a world of birds
and butterflies and bees and trees and flowers and song and color and
blithe winds.
[Illustration: Jogging appreciatively along behind Schutz's mouse-hued
mare 420]
This world was, most appropriately, inhabited by a brown-and-gold fairy.
Any one could tell that she was a fairy by the sunlight in her hair,
and the starlight in her eyes, and the fact that, at the moment when we
discovered her, two butterflies were engaged in aerial combat to decide
winch one should settle on the pink rose above her ear. The flower
flaunted there like a challenge against the somberness of her costume,
for the fairy was dressed entirely in black. She was leaning on a gate
in a tall hedge. Through the opening we could see, across broad flower
gardens, a solid, spacious, kindly house, amid rustling shade, flying
the insignium of death at its door.
At the sight Dead-Men's-Shoes pulled up and took off his extinct hat.
It was one of the most extinct hats wherewith I have ever known him
to grace his calling. Its brim was fractured in two places, its crown
leaned like Pisa's Tower, and it bristled in universal offense against
the outer world. Despite all this it was indisputably a Silk Hat,
and, as such, official to the lawful occasions of the wearer. The
brown-and-gold fairy looked at it with unfeigned surprise. From its
interior Dead-Men's-Shoes extracted a slip of paper which he perused. He
then addressed the fairy in a soft and respectful tone.
“You ain't on the list, mum.”
“What list?” inquired the fairy with interest. “And why should I be on
it?”
“Not you, mum. The house.”
He re-covered his head and contemplated her speculatively. She returned
his regard with sparkling eyes and a dimpling and twitching mouth.
“Why do you wear that extraordinary hat?” she broke out.
“Business,” murmured Dead-Men's-Shoes. “It's my business hat. If I could
have a few words with you on business?”
“You've come at an unfortunate time,” said the brown-and-gold fairy.
“There is a death in the family.”
Public-domain text, read in full here on John Shaqi.
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