Our Square and the People in ItAdams, Samuel Hopkins
General
Our Square and the People in It
Adams, Samuel Hopkins
New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Short stories
For the subsequent developments of the affair I expressly disclaim all
responsibility. True, I was made an agent. But that was coercion, such
coercion as the Bonnie Lassie practices on all of us. The scheme was
hers and hers alone. If there is a weakness in the Bonnie Lassie's
character, it is overfondness for the romantic and the dramatic. She
loves to set the stage and move the puppets, and be the goddess from
the machine generally. Miss Ethel Bennington, cast for the leading part,
accepted it all implicitly, for in the strange environment of Our Square
she was uncertain and self-distrustful, and she readily fell in with the
dramatist's principal theme; to wit, that she had treated the Little
Red Doctor very ill, and said wounding things hard to be forgiven by a
high-spirited, sensitive, and red-headed lover; that any basis of pardon
and understanding would be difficult and painful to arrive at, but that
if he found her in straits and needing him, then the truth would come
out and she would know at once whether he still cared for her or not,
a point upon which my brown-and-gold fairy had her dismal doubts, it
seems. Therefore she would please buy herself a working outfit and
take a job with--well--with Dead-Men's-Shoes. Just the thing!
Dead-Men's-Shoes, knowing so much of the matter, would require little
explanation. The labor, sorting over and classifying his residuary
apparel, would be not too violent; and the Little Red Doctor passed by
the door daily on his way to the top floor to visit little Fannie McKay
who had the rickets. It was only a question of time when he would find
the fairy there toiling in poverty. Such was the setting devised by the
Bonnie Lassie to bring those two together. For the rest, let Fate take
its course.
Fate did. For their own private reasons, or perhaps in sheer derision of
the human dramatist's puny efforts, the High Gods of Drama took a hand
in the affair. They smote the Little Red Doctor, if not exactly hip and
thigh, at least, tooth and jaw; so that he was incapacitated for any
sort of decent, peaceable human association. They gave him an abominable
toothache. The Bonnie Lassie came across Our Square to apprise me of the
fact, with dismay in her face.
“What's a toothache,” I said, “in such circumstances!”
The Bonnie Lassie looked at me scornfully. “Men have no sense,” she
sighed. “Do you think I'm going to have their meeting spoiled by a
wretched thing like that, after all these years? Besides, he's all
swollen on one side.”
“I see. You don't wish his classic beauty impaired on this occasion.”
“Don't be disagreeable. And do be good. Go to the Little Red Doctor and
tell him he must have it fixed.”
I went to the Little Red Doctor and told him that very thing. To this
day I believe that my age alone saved me from a murderous assault. “Have
it fixed?” howled the Little Red Doctor. “Don't you suppose I want to
have it fixed? Don't be an imbecile, dominie.”
Public-domain text, read in full here on John Shaqi.
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