Our Stage and Its Critics: By "E.F.S." of "The Westminster Gazette"Spence, Edward Fordham
General
Our Stage and Its Critics: By "E.F.S." of "The Westminster Gazette"
Spence, Edward Fordham
Criticism; Drama; Theater -- Great Britain
Perhaps it is fairer to say that there is more advertisement in
connexion with the theatrical art than any other, or, indeed, all the
others put together. The position is surprising; a large mass of the
reading matter of the London papers is filled with copy concerning the
theatres and players, though only a small percentage is criticism. More
people would recognize each of thirty popular performers than could
identify even one of the great in other branches of art or in science. A
recent squabble about a couple of actresses has been the subject of
greater fuss than would be caused by the discovery of the lost books of
Livy, of a picture by Apelles, of the MS. of an unknown opera by
Beethoven, of a method of making accumulators out of _papier-maché_, or
a mode of manufacturing radium at a cost of twopence a pound. There have
been thousands of columns printed concerning the marriages of
(so-called) actresses to young gentlemen of family.
A digression about these marriages is permissible. Each has led to many
articles on alliances between the aristocracy and the stage, and lists
of the ladies who in our times have honoured (or dishonoured) the
nobility with their hands have been given. Yet there has been little
comment upon the fact that, with two or three exceptions, the so-called
actresses have had no position of importance in the legitimate ranks of
the profession. A woman may perform in a theatre, and even draw a big
salary, without being an actress, and she may have brains, beauty and
popularity, and nevertheless enjoy little chance of marrying anybody
with a "handle to his name," if she confines her work to the non-musical
stage.
A distinction suggests itself--it might be that in music and the love of
it by the nobly born lies the explanation of the phenomenon; it might be
that the blue-blooded youths captured these charmers of the
musico-dramatic department in order to enjoy a selfish monopoly of
lovely voices, but such is not the case. Two or three of the ladies who
have won their way to the "hupper succles" possess talent; one of them
has a beautiful voice and great gifts as an actress, and one was a
brilliant dancer and became an excellent comedienne. The ruck and run of
them, however, have triumphed owing to advertisement in subtle and also
in crude forms.
Public-domain text, read in full here on John Shaqi.
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