Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
First we drove about the coppice: an extensive wood of oak, and elm, and
beech, chiefly the former, which adjoins the park-paling of F. Hill, of
which demesne, indeed, it forms one of the most delightful parts. The
roads through the coppice are studiously wild; so that they have the
appearance of mere cart-tracks: and the manner in which the ground
is tumbled about, the steep declivities, the sunny slopes, the sudden
swells and falls, now a close narrow valley, then a sharp ascent to an
eminence commanding an immense extent of prospect, have a striking air
of natural beauty, developed and heightened by the perfection of art.
All this, indeed, was familiar to me; the colouring only was new. I had
been there in early spring, when the fragrant palms were on the willow,
and the yellow tassels on the hazel, and every twig was swelling
with renewed life; and I had been there again and again in the green
leafiness of midsummer; but never as now, when the dark verdure of the
fir-plantations, hanging over the picturesque and unequal paling, partly
covered with moss and ivy, contrasts so remarkably with the shining
orange-leaves of the beech, already half fallen, the pale yellow of the
scattering elm, the deeper and richer tints of the oak, and the glossy
stems of the 'lady of the woods,' the delicate weeping birch. The
underwood is no less picturesque. The red-spotted leaves and redder
berries of the old thorns, the scarlet festoons of the bramble, the tall
fern of every hue, seem to vie with the brilliant mosaic of the ground,
now covered with dead leaves and strewn with fir-cones, now, where a
little glade intervenes, gay with various mosses and splendid fungi. How
beautiful is this coppice to-day! especially where the little spring,
as clear as crystal, comes bubbling out from the old 'fantastic' beech
root, and trickles over the grass, bright and silent as the dew in a
May morning. The wood-pigeons (who are just returned from their summer
migration, and are cropping the ivy berries) add their low cooings, the
very note of love, to the slight fluttering of the falling leaves in the
quiet air, giving a voice to the sunshine and the beauty. This coppice
is a place to live and die in. But we must go. And how fine is the
ascent which leads us again into the world, past those cottages hidden
as in a pit, and by that hanging orchard and that rough heathy bank! The
scenery in this one spot has a wildness, an abruptness of rise and fall,
rare in any part of England, rare above all in this rich and lovely but
monotonous county. It is Switzerland in miniature.
Public-domain text, read in full here on John Shaqi.
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