Country life -- England -- Fiction; Pastoral fiction; Villages -- England -- Fiction
The Shaw, leading to Hannah Bint's habitation, is, as I perhaps have
said before, a very pretty mixture of wood and coppice; that is to say,
a tract of thirty or forty acres covered with fine growing timber--ash,
and oak, and elm, very regularly planted; and interspersed here and
there with large patches of underwood, hazel, maple, birch, holly, and
hawthorn, woven into almost impenetrable thickets by long wreaths of the
bramble, the briony, and the brier-rose, or by the pliant and twisting
garlands of the wild honeysuckle. In other parts, the Shaw is quite
clear of its bosky undergrowth, and clothed only with large beds of
feathery fern, or carpets of flowers, primroses, orchises, cowslips,
ground-ivy, crane's-bill, cotton-grass, Solomon's seal, and
forget-me-not, crowded together with a profusion and brilliancy of
colour, such as I have rarely seen equalled even in a garden. Here
the wild hyacinth really enamels the ground with its fresh and lovely
purple; there,
'On aged roots, with bright green mosses clad,
Dwells the wood-sorrel, with its bright thin leaves
Heart-shaped and triply folded, and its root
Creeping like beaded coral; whilst around
Flourish the copse's pride, anemones,
With rays like golden studs on ivory laid
Most delicate; but touch'd with purple clouds,
Fit crown for April's fair but changeful brow.'
The variety is much greater than I have enumerated; for the ground is
so unequal, now swelling in gentle ascents, now dimpling into dells and
hollows, and the soil so different in different parts, that the sylvan
Flora is unusually extensive and complete.
The season is, however, now too late for this floweriness; and except
the tufted woodbines, which have continued in bloom during the whole
of this lovely autumn, and some lingering garlands of the purple wild
vetch, wreathing round the thickets, and uniting with the ruddy leaves
of the bramble, and the pale festoons of the briony, there is little
to call one's attention from the grander beauties of the trees--the
sycamore, its broad leaves already spotted--the oak, heavy with
acorns--and the delicate shining rind of the weeping birch, 'the lady of
the woods,' thrown out in strong relief from a background of holly and
hawthorn, each studded with coral berries, and backed with old beeches,
beginning to assume the rich tawny hue which makes them perhaps the most
picturesque of autumnal trees, as the transparent freshness of their
young foliage is undoubtedly the choicest ornament of the forest in
spring.
Public-domain text, read in full here on John Shaqi.
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