Now we cross the stile, and walk up the fields to the Shaw. How beautifully green this pasture looks! and how finely the evening sun glances between the boles of that clump of trees, beech, and ash, and aspen! and how sweet the hedgerows are with woodbine and wild scabious, or, as the country people call it, the gipsy-rose! Here is little Dolly Weston, the unconscious witness, with cheeks as red as a real rose, tottering up the path to meet her father. And here is the carroty-poled urchin, George Coper, returning from work, and singing 'Home! sweet Home!' at the top of his voice; and then, when the notes prove too high for him, continuing the air in a whistle, until he has turned the impassable corner; then taking up again the song and the words, 'Home! sweet Home!' and looking as if he felt their full import, ploughboy though he be. And so he does; for he is one of a large, an honest, a kind, and an industrious family, where all goes well, and where the poor ploughboy is sure of finding cheerful faces and coarse comforts--all that he has learned to desire. Oh, to be as cheaply and as thoroughly contented as George Coper! All his luxuries a cricket-match!--all his wants satisfied in 'home! sweet home!' Nothing but noises to-day! They are clearing Farmer Brooke's great bean-field, and crying the 'Harvest Home!' in a chorus, before which all other sounds--the song, the scolding, the gunnery--fade away, and become faint echoes. A pleasant noise is that! though, for one's ears' sake, one makes some haste to get away from it. And here, in happy time, is that pretty wood, the Shaw, with its broad pathway, its tangled dingles, its nuts and its honeysuckles;--and, carrying away a faggot of those sweetest flowers, we reach Hannah Bint's: of whom, and of whose doings, we shall say more another time.