To add to this combination of misfortunes, on his return to the
plantation he found it deserted,--a sheriff's keeper guarding his
personal effects, his few remaining negroes seized upon and marched
into the city for the satisfaction of his debts. Clotilda has been
seized upon, manacled, driven to the city, committed to prison.
Another creditor has found out the hiding-place of the children;
directs the sheriff, who seizes upon them, like property of their
kind, and drags them to prison. Oh, that prison walls were made for
torturing the innocent!
Marston is left poor upon the world; Ellen Juvarna is in the hands
of a resurrectionist; Nicholas-a bright boy he has grown-is within
the dark confines of a prison cell, along with Clotilda and Annette.
Melancholy broods over the plantation now. The act of justice,--the
right which Marston saw through wrong, and which he had intended to
carry out,--is now beyond his power. Stripped of those comforts he
had enjoyed, his offspring carried off as trophies of
avarice,--perhaps for sale to some ruffian who would set a price upon
their beauty,--he sits down, sick at heart, and weeps a child's
tears. The mansion, so long the scene of pleasure and hospitality,
is like a deserted barrack;-still, gloomy, cold, in the absence of
familiar faces. No servant comes to call him master,--Dandy and Enoch
are gone; and those familiar words, so significant of affection
between master and slave, "Glad to see ye home, mas'r," no longer
sounded in his ears. Even his overseer has become alarmed, and like
the rest levied for arrears of wages.
Public-domain text, read in full here on John Shaqi.
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