He visits Marston's mansion,--finds the picture sadly changed; his
generous friend, who has entertained him so hospitably, sits in a
little ante-chamber, pensively, as if something of importance has
absorbed his attention. No well-dressed servants welcome him with
their smiles and grimaces; no Franconia greets him with her
vivacity, her pleasing conversation, her frankness and fondness for
the old servants. No table is decked out with the viands of the
season-Marston's viands have turned into troubles,--loneliness reigns
throughout. It is night, and nothing but the dull sound of the
keeper's tread breaks the silence. His (Maxwell's) mission is a
delicate one. It may be construed as intrusive, he thinks. But its
importance outweighs the doubt, and, though he approaches with
caution, is received with that embrace of friendship which a
gentleman can claim as his own when he feels the justice of the
mission of him who approaches, even though its tenor be painful.
Maxwell hesitated for a few moments, looked silently upon the scene.
Trouble had already left its prints of sadness upon Marston's
countenance; the past, full of happy associations, floated in his
mind; the future--ah! that was--. Happily, at that moment, he had
been contemplating the means by which he could save Clotilda and the
children. He rises, approaches Maxwell, hands him a chair, listens
to his proposal. "If I can assist you, we will save them," concludes
Maxwell.
"That," he replies, doubtingly, "my good friend, has engaged my
thoughts by night and day--has made me most uneasy. Misfortune likes
sympathy; your words are as soothing as praiseworthy. I will defend
my children if every creditor call me swindler. I will destroy the
infernal bill of sale,--I will crush the hell-born paper that gives
life to deeds so bloody,--I will free them from the shame!" Thus, his
feelings excited to the uttermost, he rises from his seat,
approaches a cupboard, draws forth the small trunk we have before
described, unlocks it. "That fatal document is here, I put it here,
I will destroy it now; I will save them through its destruction.
There shall be no evidence of Clotilda's mother being a slave, oh
no!" he mutters rapidly, running his fingers over packages, papers,
and documents. Again he glances vacantly over the whole file,
examining paper after paper, carefully. He looks in vain. It is not
there; there is no document so fatal. Sharper men have taken better
care of it. "It is not here!" he whispers, his countenance becoming
pallid and death-like. "Not here!"-and they will swear to suit their
purposes. Oaths are only worth what they bring in the market, among
slave dealers. But, who can have taken it?" he continues, looking
wildly at Maxwell. Consternation is pictured on his countenance; he
feels there is intrigue at work, and that the want of that paper
will prove fatal to his resolution. A man in trouble always confides
in others, sometimes those whom he would scarce have trusted before.
Public-domain text, read in full here on John Shaqi.
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