Always civil, and even obsequious at first, ready to condescend and
accommodate, he is equally prompt when matters require that peculiar
turn which southerners frequently find themselves turned into,--no
more tick and a turn out of doors. At times, Mr. O'Brodereque's
customers have the very unenviable consolation of knowing that a
small document called a mortgage of their real and personal property
remains in his hands, which he will very soon find it necessary to
foreclose.
It is dark,--night has stolen upon us again,--the hour for the raffle
is at hand. The saloon, about a hundred and forty feet long by forty
wide, is brilliantly lighted for the occasion. The gas-lights throw
strange shadows upon the distemper painting with which the walls are
decorated. Hanging carelessly here and there are badly-daubed
paintings of battle scenes and heroic devices, alternated with
lithographic and badly-executed engravings of lustfully-exposed
females. Soon the saloon fills with a throng of variously-mixed
gentlemen. The gay, the grave, the old, and the young men of the
fashionable world, are present. Some affect the fast young man;
others seem mere speculators, attracted to the place for the purpose
of enjoying an hour, seeing the sight, and, it may be, taking a
throw for the "gal." The crowd presents a singular contrast of
beings. Some are dressed to the very extreme of fantastic fashion,
and would seem to have wasted their brains in devising colours for
their backs; others, aspiring to the seriously genteel, are
fashioned in very extravagant broadcloth; while a third group is
dressed in most niggardly attire, which sets very loosely. In
addition to this they wear very large black, white, and
grey-coloured felt hats, slouched over their heads; while their
nether garments, of red and brown linsey-woolsey, fit like
Falstaff's doublet on a whip stock. They seem proud of the grim
tufts of hair that, like the moss-grown clumps upon an old oak,
spread over their faces; and they move about in the grotesque crowd,
making their physiognomies increase its piquancy.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account