"A gentleman what ain't got a five-dollar bill in his pocket better
not show his winkers in this crowd. After that, gentlemen, there's a
slap-up pony, and one of the knowinest dogs outside of a
court-house. Now,--gents! if this ain't some tall doings,--some of a
raffle, just take my boots and I'll put it for Texas. A chance for a
nigger gal-a pony-a dog; who on 'arth wants more, gentlemen?" Mr.
O'Brodereque again throws back his coat, shrugs his shoulders, wipes
the perspiration from his brow, and is about to descend from the
table. No, he won't come down just yet. He has struck a vein; his
friends are getting up a favourable excitement.
"Bravo! bravo!-long may General Brodereque keep the hospitable Your
House! Who wouldn't give a vote for Brodereque at the next
election?" re-echoes through the room.
"One more remark, gentlemen." Mr. Brodereque again wipes the
perspiration from his forehead, and orders a glass of water, to
loosen his oratorical organs. He drinks the water, seems to increase
in his own greatness; his red face glows redder, he makes a
theatrical gesticulation with his right hand, crumples his hair into
curious points, and proceeds:--"The lucky man what gets the gal prize
is to treat the crowd!" This is seconded and carried by acclamation,
without a dissenting voice.
A murmuring noise, as of some one in trouble, is now heard at the
door: the crowd gives way: a beautiful mulatto girl, in a black silk
dress, with low waist and short sleeves, and morocco slippers on her
feet, is led in and placed upon the stand Mr. O'Brodereque has just
vacated. Her complexion is that of a swarthy Greek; her countenance
is moody and reflective; her feelings are stung with the poison of
her degraded position. This last step of her disgrace broods in the
melancholy of her face. Shame, pain, hope, and fear, combine to goad
her very soul. But it's all for a bit of fun, clearly legal; it's
all in accordance with society; misfortune is turned into a
plaything, that generous, good, and noble-hearted men may be amused.
Those who stand around her are extravagant with joy. After remaining
a few moments in silence, a mute victim of generous freedom, she
turns her head bashfully, covers her face with her hands. Her
feelings gush forth in a stream of tears; she cannot suppress them
longer.
There is a touching beauty in her face, made more effective by the
deplorable condition to which she is reduced. Again she looks
upward, and covers her face with her hands; her soul seems merged in
supplication to the God who rules all things aright. He is a
forgiving God! Can he thus direct man's injustice to man, while this
poor broken flower thus withers under the bane? Sad, melancholy,
doomed! there is no hope, no joy for her. She weeps over her
degradation.
Public-domain text, read in full here on John Shaqi.
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