We must invite the reader to accompany us to the county gaol, on the
morning of sale.
The "gang"-Marston's slaves-have been ordered to prepare themselves
for the market; the yard resounds with their jargon. Some are
arranging their little clothing, washing, "brightening up" their
faces to make the property show off in the market. Others are
preparing homony for breakfast; children, in ragged garments, are
toddling, running, playing, and sporting about the brick pavement;
the smallest are crouched at the feet of their mothers, as if
sharing the gloom or nonchalance of their feeling. Men are gathering
together the remnants of some cherished memento of the old
plantation; they had many a happy day upon it. Women view as things
of great worth the little trinkets with which good master, in former
days, rewarded their energy. They recall each happy association of
the cabin. Husbands, or such as should be husbands, look upon their
wives with solicitude; they feel it is to be the last day they will
meet together on earth. They may meet in heaven; there is no slavery
there. Mothers look upon their children only to feel the pangs of
sorrow more keenly; they know and feel that their offspring are born
for the market, not for the enjoyment of their affections. They may
be torn from them, and sold like sheep in the shambles. Happy, free
country! How fair, how beautiful the picture of constitutional
rights! how in keeping with every-day scenes of southern life!
"I'ze gwine to be sold; you're gwint to be sold; we're all gwine to
be sold. Wonder what mas'r's gwine t'buy dis child," says Aunt
Rachel, arranging her best dress, making her face "shine just so."
Aunt Rachel endeavours to suit her feelings to the occasion, trims
her bandana about her head with exquisite taste, and lets the
bright-coloured points hang about her ears in great profusion.
"Da'h 's a right smart heap o' dollar in dis old nigger, yet!-if
mas'r what gwine t'buy 'em know how't fotch um out; Mas'r must do
da'h clean ting wid dis child," Rachel says, as if exulting over the
value of her own person. She brushes and brushes, views and reviews
herself in a piece of mirror-several are waiting to borrow it-thinks
she is just right for market, asks herself what's the use of
fretting? It's a free country, with boundless hospitality-of the
southern stamp,--and why not submit to all freedom's dealings? Aunt
Rachel is something of a philosopher.
"Aunte! da' would'nt gin much fo'h yer old pack a' bones if mas'r
what gwine to buy ye know'd ye like I. Ye' h'ant da property what
bring long price wid Buckra," replies Dandy, who views Aunt Rachel
rather suspiciously, seems inclined to relieve her conceit, and has
taken very good care that his own dimensions are trimmed up to the
highest point.
"Dis nigger would'nt swop h'r carcas fo'h yourn. Dat she don't,"
Rachel retorts.
Public-domain text, read in full here on John Shaqi.
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