Soon Bradshaw has got the carriage ready, and our good lady is on
the road, rolling away toward the city. As they approach a curvature
that winds round a wooded hill, Bradshaw intimates to "missus" that
he sees signs of a camp a short distance ahead. He sees smoke
curling upwards among the trees, and very soon the notes of a
long-metre tune fall softly on the ear, like the tinkling of distant
bells in the desert. Louder and louder, as they approach, the sounds
become more and more distinct. Then our good lady recognises the
familiar voice of Elder Pemberton Praiseworthy. This worthy
christian of the Southern Church is straining his musical organ to
its utmost capacity, in the hope there will be no doubt left on the
minds of those congregated around him as to his very sound piety.
The carriage rounds the curvature, and there, encamped in a grove of
pines by the road side, is our pious Elder, administering
consolation to his infirm property. Such people! they present one of
the most grotesque and indiscriminate spectacles ever eyes beheld.
The cholera has subsided; the Elder's greatest harvest time is gone;
few victims are to be found for the Elder's present purposes. Now he
is constrained to resort to the refuse of human property (those
afflicted with what are called ordinary diseases), to keep alive the
Christian motive of his unctuous business. To speak plainly, he must
content himself with the purchase of such infirmity as can be picked
up here and there about the country.
A fire of pine knots blazes in the centre of a mound, and over it
hangs an iron kettle, on a straddle, filled with corn-grits. Around
this, and anxiously watching its boiling, are the lean figures of
negroes, with haggard and sickly faces, telling but too forcibly the
tale of their troubles. They watch and watch, mutter in grumbling
accents, stir the homony, and sit down again. Two large mule carts
stand in the shade of a pine tree, a few yards from the fire. A few
paces further on are the mules tethered, quietly grazing; while,
seated on a whiskey-keg, is the Elder, book in hand, giving out the
hymn to some ten or a dozen infirm negroes seated round him on the
ground. They have enjoyed much consolation by listening with
wondrous astonishment to the Elder's exhortations, and are now ready
to join their musical jargon to the words of a Watts's hymn.
On arriving opposite the spot, our good lady requests Bradshaw to
stop; which done, the Elder recognises her, and suddenly adjourning
his spiritual exercises, advances to meet her, his emotions
expanding with enthusiastic joy. In his eagerness, with outstretched
hand, he comes sailing along, trips his toe in a vine, and plunges
head foremost into a broad ditch that separates the road from the
rising ground.
Public-domain text, read in full here on John Shaqi.
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