Romescos touches Mr. Seabrook on the arm; remarks that such things
are only good for certain purposes; although one can make them pay
if they know how to trade in them. But it wants a man with a capable
conscience to do the business up profitably. "No chance o' your
biddin' on 'um, is there, colonel?" he enquires, with a significant
leer, folding his arms with the indifference of a field-marshal.
After a few minutes' pause, during which Mr. Seabrook seems
manufacturing an answer, he shrugs his shoulders, and takes a few
pleasing steps, as if moved to a waltzing humour. "Don't scare up
the like o' that gal-nigger every day," he adds. Again, as if moved
by some sudden idea, he approaches Annette, and placing his hand on
her head, continues: "If this ain't tumbling down a man's affairs by
the run! Why, colonel, 'taint more nor three years since old Hugh
Marston war looked on as the tallest planter on the Ashley; and he
thought just as much o' these young 'uns as if their mother had
belonged to one of the first families. Now-I pity the poor
fellow!-because he tried to save 'em from being sold as slaves,
they-his creditors-think he has got more property stowed away
somewhere. They're going to cell him, just to try his talent at
putting away things."
The "prime fellows" and wenches of the darker and coarser quality
have all been disposed of; and the vender (the same gentlemanly man
we have described selling Marston's undisputed property) now orders
the children to be brought forward. Romescos, eagerly seizing them
by the arms, brings them forward through the crowd, places them upon
the stand, before the eager gaze of those assembled. Strangely
placed upon the strange block, the spectators close in again,
anxious to gain the best position for inspection: but little
children cannot stand the gaze of such an assemblage: no; Annette
turns toward Nicholas, and with a childish embrace throws her tiny
arms about his neck, buries her face on his bosom. The child of
misfortune seeks shelter from that shame of her condition, the
evidence of which is strengthened by the eager glances of those who
stand round the shambles, ready to purchase her fate. Even the
vender,--distinguished gentleman that he is, and very respectably
allied by marriage to one of the "first families,"-is moved with a
strange sense of wrong at finding himself in a position somewhat
repugnant to his feelings. He cannot suppress a blush that indicates
an innate sense of shame.
Public-domain text, read in full here on John Shaqi.
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