"Who is worse than a slave!" sighs the rejected man, getting up and
looking out of his window into the dreary recesses of the narrow
lane. "If it be not a ruined planter I mistake the policy by which
we govern our institution! As the slave is born a subject being, so
is the planter a dependent being. We planters live in
disappointment, in fear, in unhappy uncertainty; and yet we make no
preparations for the result. Nay, we even content ourselves with
pleasantly contemplating what may come through the eventful issue of
political discord; and when it comes in earnest, we find ourselves
the most hapless of unfortunates. For myself, bereft of all I had
once,--even friends, I am but a forlorn object in the scale of weak
mankind! No man will trust me with his confidence,--scarce one knows
me but to harass me; I can give them no more, and yet I am suspected
of having more. It is so, and ever will be so. Such are the phases
of man's downfall, that few follow them to the facts, while rumour
rules supreme over misfortune. There may be a fountain of human pain
concealed beneath it; but few extend the hand to stay its
quickening. Nay, when all is gone, mammon cries, more! until body
and soul are crushed beneath the "more" of relentless self.
"Few know the intricacies of our system; perhaps 'twere well, lest
our souls should not be safe within us. But, ah! my conscience
chides me here. And betwixt those feelings which once saw all things
right, but now through necessity beholds their grossest wrongs,
comes the pain of self-condemnation. It is a condemnation haunting
me unto death. Had I been ignorant of Clotilda's history, the
fiendish deed of those who wronged her in her childhood had not now
hung like a loathsome pestilence around my very garments. That which
the heart rebukes cannot be concealed; but we must be obedient to
the will that directs all things;--and if it be that we remain blind
in despotism until misfortune opens our eyes, let the cause of the
calamity be charged to those it belongs to," he concludes; and then,
after a few minutes' silence, he lights his taper, and sets it upon
the table. His care-worn countenance pales with melancholy; his hair
has whitened with tribulation; his demeanour denotes a man of tender
sensibility fast sinking into a physical wreck. A well-soiled book
lies on the table, beside which he takes his seat; he turns its
pages over and over carelessly, as if it were an indifferent
amusement to wile away the time. "They cannot enslave affection, nor
can they confine it within prison walls," he mutters. He has proof
in the faithfulness of Daddy, his old slave. And as he contemplates,
the words "she will be more than welcome to-night," escape his lips.
Simultaneously a gentle tapping is heard at the door. Slowly it
opens, and the figure of an old negro, bearing a basket on his arm,
enters. He is followed by the slender and graceful form of
Franconia, who approaches her uncle, hand extended, salutes him with
Public-domain text, read in full here on John Shaqi.
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