Out for Business; or, Robert Frost's Strange CareerAlger, Horatio, Jr.
History
Out for Business; or, Robert Frost's Strange Career
Alger, Horatio, Jr.
Chicago (Ill.) -- History -- 19th century -- Juvenile fiction; Self-reliance -- Juvenile fiction; Stepfathers -- Juvenile fiction
Rehearsals had been backward and unsatisfactory from the start, and the
combination would have done much better had it held back for another
week for practice before appearing in public.
But everyone was anxious to make a hit, and nobody thought failure
possible.
"We will carry the town by storm," said the leading man, a fellow by
the name of Caster. He had been on the boards for several years, but
had never before risen to a position higher than that of being a member
of a stock company attached to a dime museum.
"Yes, we will show them what real acting is," answered Livingston
Palmer. "To-morrow the newspapers will be full of complimentary
notices."
At quarter to eight the orchestra, consisting of a piano player, a
violinist, a flutist, and a cornetist, struck up on the overture, and
at eight o'clock sharp the curtain went up on the first act of "All for
Love."
The scene represented Fifth avenue, in New York--at least, so the
programme said,--although it is doubtful if anybody living on that
fashionable thoroughfare would have recognized the locality. People
were coming and going, and doing this as if their lives depended upon
it, the same person appearing and disappearing every half minute or so.
In the crowd was a girl who was supposed to be a companion to a rich
old lady. As she stood waiting for something, the villain of the play,
a fashionably-dressed man, came up and tried to tempt her into stealing
the rich lady's jewels. While this was going on the butler of the
lady's mansion appeared and overheard the plot.
The acting was crude from the start, but at the opening of a play few
people pay much attention, and it was not until Livingston Palmer
appeared as the spying butler that the audience began to grow attentive.
"Ha, what is this I hear!" cried Palmer, as he peered forth from
behind a dry goods box set up against a building marked Hotel.
"She is plotting to rob my mistress. Base woman that she is, I
will--will--will----"
Palmer should have said, "I will expose her to Mrs. Ulmer and have her
arrested," but the words would not come, for he had caught sight of
the hundreds of faces in the audience and become stage-frightened in
consequence.
"I will--will--I will----" he stammered, trying again.
"Will you?" came a voice from the gallery. "All right, Willie!"
There was a laugh and then a hiss.
"I will expose her," whispered the prompter, who stood in the
prompter's box with the book of the play in his hand.
"I will--will expose her!" burst out Livingston Palmer. "I will
expose her, base--I mean--I will expose her to be arrested--to--by--I
mean--Mrs. Ulmer shall arrest her!" and then he fell back out of
sight, and all but overcome.
At once the prompter ran up to him.
"You fool!" he whispered wildly. "That wasn't right. You've ruined the
scene."
"Have I?" asked Palmer, in awe-stricken tones. "Oh, I--I--something
slipped my mind. But--but I'll be all right in the next scene."
Public-domain text, read in full here on John Shaqi.
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