Out in the Forty-Five: Duncan Keith's VowHolt, Emily Sarah
General
Out in the Forty-Five: Duncan Keith's Vow
Holt, Emily Sarah
Christian life -- Juvenile fiction; Conduct of life -- Juvenile fiction; Jacobite Rebellion, 1745-1746 -- Juvenile fiction
In my cherry-coloured satin, with white shoulder-knots, a blue pompoon
in my hair, and my new hoop (I detest these hoops; they are horrid), I
came down to the withdrawing room, and cast my eye round the chamber.
Grandmamma, in brocaded black silk, sat where she always does, at the
side of the fire, and my Uncle Charles--who for a wonder was at home--
and my Aunt Dorothea were receiving the people as they came in. The
Bracewells were there already, and Hatty, and Mr Crossland, and a
middle-aged lady, who I suppose was his mother, and Miss Newton, and a
few more whose faces and names I know. Sir Anthony and my Lady
Parmenter came in just after I got there.
What has come over Hatty? She does not look like the same girl.
Grandmamma can never talk of her glazed red cheeks now. She is whiter
almost than I am, and so thin! I am quite sure she is either ill, or
unhappy, or both. But I cannot ask her, for somehow we never meet each
other except for a minute. Several times I have thought, and the
thought grows upon me, that somebody does not want Hatty and me to have
a quiet talk with each other. At first I thought it was Hatty who kept
away from me herself, but I am beginning to think now that somebody else
is doing it. I do not trust that young Mr Crossland, not one bit.
Yet, why he should wish to keep us apart, I cannot even imagine. I made
up my mind to get hold of Hatty and ask her when she were going home; I
think she would be safer there than here. But it was a long, long while
before I could reach her. So many people seemed to be hemming her in.
I sat on an ottoman in the corner, watching my opportunity, when all at
once a voice called me back to something else.
"Dear little Cary, I have been so wishing for a chat with you."
Hatty used to say that you may always know something funny is coming
when you see a cat wag her tail. I had come to the conclusion that
whenever one person addressed me with endearing phrases, something
sinister was coming. I looked up this time: I did not courtesy and walk
away, as I did on the last occasion. I wanted to avoid an open quarrel.
If she had sought me out after that, I could not avoid it. But to
speak to me as if nothing had happened!--how could the woman be so
brazen as that?
I looked up, and saw a large gold-coloured fan, most beautifully painted
with birds of all the hues of the rainbow, from over which those tawny
eyes were glancing at me; and for one moment I wished that hating people
were not wicked.
"For what purpose, Madam?" I replied.
"Dear child, you are angry with me," she said, and the soft, warm,
gloved hand pressed mine, before I could draw it away. "It is so
natural, for of course you do not understand. But it makes me very
sorry, for I loved you so much."
O serpent, how beautiful you are! But you are a serpent still.
Public-domain text, read in full here on John Shaqi.
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