Out of Death's Shadow; Or, A Case Without a PrecedentCarter, Nicholas (House name)
General
Out of Death's Shadow; Or, A Case Without a Precedent
Carter, Nicholas (House name)
Detective and mystery stories; Dime novels; Popular literature
"You are a good boy, Patsy," said Nick, with a look of approbation,
"and I'll see that Mrs. Jilson gets the money she is expecting."
The days came and went. Chick appeared, remained a day, and went off
again. Patsy made several trips out of the city. Nick remained, like
a spider watching its web. On the afternoon of the day preceding the
probate day, upon which so much depended, the detective and Patsy were
sitting in the E Street room, talking over matters pertaining to the
morrow's program.
The windows of the room overlooked the street. The detective, while
talking to Patsy, was seated near one of the windows, and he had
occasionally looked out. As Patsy was preparing to go out, Nick's eye,
turning toward the street, fell upon the form of Peter Mannion, who,
cane in hand and with soldierly dignity, was walking along the opposite
sidewalk. He glanced up once, saw Nick's face, and then quickly turned
his head.
The appearance of the man in that quarter, while it might not mean
anything, yet gave rise in Nick's mind to a suspicion that the uncle
was out for a purpose. Although Peter Mannion might think that the
scheme upon which he was working was perfect in all its details, yet
the presence in Washington of the noted detective, Nick Carter, on the
day preceding the calling of the probate cases would have a disquieting
effect upon his nerves. Nick said a few quick words to Patsy, who at
once put on his hat, left the room, and went down the stairs.
The boy did not follow Peter Mannion, but went unconcernedly up the
street toward the railway depot. He walked slowly, and Nick, without
showing his face to passers-by in the street, saw that the uncle had
taken note of Patsy, had turned about and was now following him. The
detective's face showed satisfaction. What the next act on the program
would be he could not guess, but that there was an act scheduled for
near performance he would have staked his existence.
The day passed without incident. Toward dark Nick went out and had
dinner in a Pennsylvania Avenue restaurant. After his refreshment he
walked about, enjoying his cigar and the calm, soft night. He was
standing on the marble walk of the little triangular square at the
corner of Pennsylvania Avenue and Seventh Street, listening to a
colored quartet, the singing adjunct of an outdoor gospel meeting,
when Peter Mannion passed him. Nick did not turn his head, and he was
satisfied that the uncle was going on under the impression that he had
not been observed. Where was he going?
Nick became a shadower, and when he saw the uncle disappear through the
double doors of the Metropolitan Hotel, a look of disappointment crept
into his face. All at once an idea, containing a queer suggestion,
came to him. Egress from the rear of the hotel would take a person
either on to John Marshall Avenue or C Street, and by either route
there was a short and easy walk to the detective's quarters on E Street.
Public-domain text, read in full here on John Shaqi.
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