Out-of-Doors in the Holy Land: Impressions of Travel in Body and SpiritVan Dyke, Henry
Religion
Out-of-Doors in the Holy Land: Impressions of Travel in Body and Spirit
Van Dyke, Henry
Authors, American -- 20th century -- Biography; Palestine -- Description and travel; Van Dyke, Henry, 1852-1933 -- Travel -- Palestine
Tall trees arch above the road; white balconies gleam through the
foliage; the murmur and the laughter of flowing streams surround us. The
railroad and the carriage-road meet and cross each other down the vale.
Country houses and cafes, some dingy and dilapidated, others new and
trim, are half hidden among the groves or perched close beside the
highway. Poplars and willows, plane-trees and lindens, walnuts and
mulberries, apricots and almonds, twisted fig-trees and climbing roses,
grow joyfully wherever the parcelled water flows in its many channels.
Above this line, on the sides of the vale, everything is bare and brown
and dry. But the depth of the valley is an embroidered sash of bloom
laid across the sackcloth of the desert. And in the centre of this long
verdure runs the parent river, a flood of clear green; rushing, leaping,
curling into white foam; filling its channel of thirty or forty feet
from bank to bank, and making the silver-leafed willows and poplars,
that stand with their feet in the stream, tremble with the swiftness of
its cool, strong current. Truly Naaman the Syrian was right in his
boasting to the prophet Elisha: Abana, the river of Damascus, is better
than all the waters of Israel.
The vale narrows as we descend along the stream, until suddenly we pass
through a gateway of steep cliffs and emerge upon an open plain beset
with mountains on three sides. The river, parting into seven branches,
goes out to water a hundred and fifty square miles of groves and
gardens, and we follow the road through the labyrinth of rich and
luscious green. There are orchards of apricots enclosed with high mud
walls; and open gates through which we catch glimpses of crimson
rose-trees and scarlet pomegranates and little fields of wheat glowing
with blood-red poppies; and hedges of white hawthorn and wild brier; and
trees, trees, trees, everywhere embowering us and shutting us in.
Presently we see, above the leafy tops, a sharp-pointed minaret with a
golden crescent above it. Then we find ourselves again beside the main
current of the Barada, running swift and merry in a walled channel
straight across an open common, where soldiers are exercising their
horses, and donkeys and geese are feeding, and children are playing, and
dyers are sprinkling their long strips of blue cotton cloth laid out
upon the turf beside the river. The road begins to look like the
commencement of a street; domes and minarets rise before us; there are
glimpses of gray walls and towers, a few shops and open-air cafes, a
couple of hotel signs. The river dives under a bridge and disappears by
a hundred channels beneath the city, leaving us at the western entrance
of Damascus.
IV
THE CITY THAT A LITTLE RIVER MADE
Public-domain text, read in full here on John Shaqi.
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