Authors -- Fiction; Ghosts -- Fiction; Love stories; World War, 1914-1918 -- Veterans -- Fiction
But she could not read. As soon as she sat down by the window and
settled her eyes on the book, the headache returned. The men were still
at work on the roof, hammering away at one corner. Every blow seemed to
strike her skull. Midway of the roof, the skylight yawned open; their
extra tools were laid out beside it. At five o'clock they would quit for
the day. Usually she disliked to have them go. In spite of their noise,
she felt that still. They gave her a kind of warm, human sense of
companionship. And they had become accustomed to her appearances at the
window. Their flirtatious first glances had ceased for want of
encouragement. They scarcely seemed to see her when they looked up. But
now--that hammering at her skull! Susannah suddenly rose and closed the
window, hot though the day was, against this torrent of sound. As though
its futile shield would give added protection, she drew the curtain. In
the dimmed light she sat rocking, her head in her hands. Her face was
fire-hot--why, she wondered-- The hammering stopped. They were soldering
now. They were always doing that; beating the tin sheets into place and
stopping to solder them. There would be silence for a time. In a moment,
she would open the window for a breath of air on her burning face....
She started at a knock on her door, low, quick, but abrupt. Before she
could answer, it opened. His face shadowed in the three-quarters light,
but his form perfectly outlined, instantly recognizable--stood Warner.
Behind Warner was Byan, and behind Byan, O'Hearn.
All the blood of her heart seemed to strike in one wave on Susannah's
aching head, and then to recede. She knew both the tingling of terror
and the numbness of horror. Prickling, stinging darts volleyed her face,
her hands, her feet; and yet she seemed to be freezing to stone.
They came into the room before anyone spoke--Warner first. Byan lolled
to a place in the corner; the three-quarters light, filtering through
the thin fabric of the flimsy, yellow curtain, revealed his clean
profile, his mysterious half-smile. O'Hearn stood just at the entrance.
He did not continue to look at her. His eyes sought the floor.
Warner was speaking now:
"Good-evening, Miss Ayer. We have come to finish up that little piece of
business with you. It has been delayed as long as it can be. Pardon us
for breaking in upon you like this. Your landlady tried to prevent us,
but we assured her that you would want to see us. As I think you will
when you come to your senses and hear what I have to say."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account