Out To Win: The Story of America in FranceDawson, Coningsby
History
Out To Win: The Story of America in France
Dawson, Coningsby
World War, 1914-1918 -- United States
The roads were crowded with the crack troops of France--the Foreign
Legion, the Tailleurs, the Moroccans--all marching in one direction,
eastward to the trenches. There were rumours of something immense
about to happen--no one knew quite what. Were we going to put on a
new offensive or were we going to resist one? Many answers were given:
they were all guesswork. Meanwhile, our progress was slow; we were
continually halting to let brigades of artillery and regiments
of infantry pour into the main artery of traffic from lanes and
side-roads. When we had backed our car into hedges to give them
room to pass, we watched the sea of faces. They were stern and yet
laughing, elated and yet childish, eloquent of the love of living and
yet familiar with their old friend, Death. They knew that something
big was to be demanded of them; before the demand had been made,
they had determined to give to the ultimate of their strength. There
was a spiritual resolution about their faces which made all their
expressions one--the uplifted expression of the unconquered soul of
France. That expression blotted out their racial differences. It did
not matter that they were Arabs, Negroes, Normans, Parisians; they
owned to one nationality--the nationality of martyrdom--and they
marched with a single purpose, that freedom might be restored to the
world.
When we reached the city to which we journeyed, night had fallen.
There was something sinister about our entry; we were veiled in fog,
and crept through the gate and beneath the ramparts with extinguished
head lights. Scarcely any one was abroad. Those whom we passed, loomed
out of the mist in silence, passed stealthily and vanished.
This city is among the most beautiful in France; until recently,
although within range of the Hun artillery, it had been left
undisturbed. In return the French had spared an equally beautiful city
on the other side of the line. This clemency, shown towards two gems
of architecture, was the result of one of those silent bargains that
are arranged in the language of the guns. But the bargain had been
broken by the time I arrived. Bombing planes had been over; the Allied
planes had retaliated. Houses, emptied like cart-loads of bricks into
the street, were significant of the ruin that was pending. Any moment
the orchestra of destruction might break into its overture. Without
cessation one could hear a distant booming. The fiddlers of death were
tuning up.
Public-domain text, read in full here on John Shaqi.
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