It is rather in respect to its spirit, tone and outlook that the religion of the fifth century presents some striking contrasts to the Homeric. Its anthropomorphism is even more pronounced, thanks to its great art-power, but it reveals a deeper conviction concerning the part played by moral agencies and powers in the affairs of men. The writings of Herodotus expound a religious view of history of which only faint indications were found in the earlier epic literature. The historian of the fifth century regards the momentous contest of Greece with Persia as a conflict of moral forces, the issue being worked out by unseen powers, such as Nemesis, Violence and Justice, with Zeus as the {94} righteous Judge. And in weaving into his narrative the stories of Æacid heroes and the Eleusinian deities speeding to the help of the Hellenes at Salamis, he doubtless represents the faith of the average Greek. A similar view was also impressed on the religious imagination of the people by oracular utterances, such as that which was imputed to the prophet Bakis--Δῖα Δίκη σβέσσει κρατερὸν Κόρον, Ὑβριος υἱόν,[94.1] “Justice divine shall quench fell Koros, the child of Insolence,” Koros standing for Persia, the tyranny born of satiety. It is expressed pictorially on the famous vase at Naples, representing Hellas and Asia pleading their cause before the High God with Ἀπάτη, as a tempting demon, standing by Asia.[94.2] In this scene we trace also the influence of the famous tragedy of Æschylus, the ‘Persæ,’ which in more than one passage of deep religious conviction pronounces moral judgment on the great event.[94.3] The same view is expressed and the same tone heard in the striking poem of Pindar’s eighth Pythian ode, where he exults over the triumph of ‘Hesychia,’ the armed Peace of Hellas, who has cast Insolence into the sea, even as Zeus quelled the monster Typhœus.