_Comus_ (1634), another of the Horton poems, is to many readers the most interesting of Milton's works. In form it is a masque, that is, a dramatic poem intended to be staged to the accompaniment of music; in execution it is the most perfect of all such poems inspired by the Elizabethan love of pageants. We may regard it, therefore, as a late echo of the Elizabethan drama, which, like many another echo, is sweeter though fainter than the original. It was performed at Ludlow Castle, before the Earl of Bridgewater, and was suggested by an accident to the Earl's children, a simple accident, in which Milton saw the possibility of "turning the common dust of opportunity to gold." The story is that of a girl who becomes separated from her brothers in a wood, and is soon lost. The magician Comus [Footnote: In mythology Comus, the god of revelry, was represented as the son of Dionysus (Bacchus, god of wine), and the witch Circe. In Greek poetry Comus is the leader of any gay band of satyrs or dancers. Milton's masque of _Comus_ was influenced by a similar story in Peele's _Old Wives' Tale_, by Spenser's "Palace of Pleasure" in _The Faery Queen_ (see above "Sir Guyon" in Chapter IV), and by Homer's story of the witch Circe in the _Odyssey_.] appears with his band of revelers, and tries to bewitch the girl, to make her like one of his own brutish followers. She is protected by her own purity, is watched over by the Attendant Spirit, and finally rescued by her brothers. The story is somewhat like that of the old ballad of "The Children in the Wood," but it is here transformed into a kind of morality play. [Sidenote: COMUS AND THE TEMPEST] In this masque may everywhere be seen the influence of Milton's predecessors and the stamp of his own independence; his Puritan spirit also, which must add a moral to the old pagan tales. Thus, Miranda wandering about the enchanted isle (in Shakespeare's _The Tempest_) hears strange, harmonious echoes, to which Caliban gives expression: The isle is full of noises, Sounds and sweet airs, that give delight and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears, and sometimes voices, That, if I then had waked after long sleep, Will make me sleep again; and then, in dreaming, The clouds methought would open and show riches Ready to drop upon me, that when I waked I cried to dream again. The bewildered girl in _Comus_ also hears mysterious voices, and has glimpses of a world not her own; but, like Sir Guyon of _The Faery Queen_, she is on moral guard against all such deceptions: