Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
The two main parties were so well balanced that power shifted
easily from one to the other. To overturn a Tory or a Whig cabinet
only a few votes were necessary, and to influence such votes London
was flooded with pamphlets. Even before the great newspapers
appeared, the press had become a mighty power in England, and any
writer with a talent for argument or satire was almost certain to
be hired by party leaders. Addison, Steele, Defoe, Swift,--most of
the great writers of the age were, on occasion, the willing
servants of the Whigs or Tories. So the new politician replaced the
old nobleman as a patron of letters.
[Sidenote: SOCIAL LIFE]
Another feature of the age was the rapid development of social
life. In earlier ages the typical Englishman had lived much by
himself; his home was his castle, and in it he developed his
intense individualism; but in the first half of the eighteenth
century some three thousand public coffeehouses and a large number
of private clubs appeared in London alone; and the sociability of
which these clubs were an expression was typical of all English
cities. Meanwhile country life was in sore need of refinement.
The influence of this social life on literature was inevitable.
Nearly all writers frequented the coffeehouses, and matters
discussed there became subjects of literature; hence the enormous
amount of eighteenth-century writing devoted to transient affairs,
to politics, fashions, gossip. Moreover, as the club leaders set
the fashion in manners or dress, in the correct way of taking snuff
or of wearing wigs and ruffles, so the literary leaders emphasized
formality or correctness of style, and to write prose like Addison,
or verse like Pope, became the ambition of aspiring young authors.
There are certain books of the period (seldom studied amongst its
masterpieces) which are the best possible expression of its thought
and manners. The Letters of Lord Chesterfield, for example,
especially those written to his son, are more significant, and more
readable, than anything produced by Johnson. Even better are the
Memoirs of Horace Walpole, and his gossipy Letters, of which
Thackeray wrote:
"Fiddles sing all through them; wax lights, fine dresses,
fine jokes, fine plate, fine equipages glitter and sparkle;
never was such a brilliant, smirking Vanity Fair as that
through which he leads us."
[Sidenote: SPREAD OF EMPIRE]
Public-domain text, read in full here on John Shaqi.
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