Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They LivedLong, William J. (William Joseph)
History
Outlines of English and American Literature: An Introduction to the Chief Writers of England and America, to the Books They Wrote, and to the Times in Which They Lived
Long, William J. (William Joseph)
American literature -- History and criticism; English literature -- History and criticism
It is hardly necessary to examine other works of Pope, since the poems
already named give us the full measure of his strength and weakness. His
talent is to formulate rules of poetry, to satirize fashionable society, to
make brilliant epigrams in faultless couplets. His failure to move or even
to interest us greatly is due to his second-hand philosophy, his inability
to feel or express emotion, his artificial life apart from nature and
humanity. When we read Chaucer or Shakespeare, we have the impression that
they would have been at home in any age or place, since they deal with
human interests that are the same yesterday, to-day and forever; but we can
hardly imagine Pope feeling at ease anywhere save in his own set and in his
own generation. He is the poet of one period, which set great store by
formality, and in that period alone he is supreme.
* * * * *
JONATHAN SWIFT (1667-1745)
In the history of literature Swift occupies a large place as the most
powerful of English satirists; that is, writers who search out the faults
of society in order to hold them up to ridicule. To most readers, however,
he is known as the author of _Gulliver's Travels_, a book which young
people still read with pleasure, as they read _Robinson Crusoe_ or any
other story of adventure. In the fate of that book, which was intended to
scourge humanity but which has become a source of innocent entertainment,
is a commentary on the colossal failure of Swift's ambition.
[Illustration: JONATHAN SWIFT]
LIFE. Little need be recorded of Swift's life beyond the few facts
which help us to understand his satires. He was born in Dublin, of
English parents, and was so "bantered by fortune" that he was
compelled to spend the greater part of his life in Ireland, a
country which he detested. He was very poor, very proud; and even
in youth he railed at a mocking fate which compelled him to accept
aid from others. For his education he was dependent on a relative,
who helped him grudgingly. After leaving Trinity College, Dublin,
the only employment he could find was with another relative, Sir
William Temple, a retired statesman, who hired Swift as a secretary
and treated him as a servant. Galled by his position and by his
feeling of superiority (for he was a man of physical and mental
power, who longed to be a master of great affairs) he took orders
in the Anglican Church; but the only appointment he could obtain
was in a village buried, as he said, in a forsaken district of
Ireland. There his bitterness overflowed in _A Tale of a Tub_
and a few pamphlets of such satiric power that certain political
leaders recognized Swift's value and summoned him to their
assistance.
[Illustration: TRINITY COLLEGE, DUBLIN]
[Sidenote: SWIFT IN LONDON]
Public-domain text, read in full here on John Shaqi.
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